HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
 
Newest Reviews
American Fiction
Poor Things
Thunderclap
Zeiram
Legend of the Bat
Party Line
Night Fright
Pacha, Le
Kimi
Assemble Insert
Venus Tear Diamond, The
Promare
Beauty's Evil Roses, The
Free Guy
Huck and Tom's Mississippi Adventure
Rejuvenator, The
Who Fears the Devil?
Guignolo, Le
Batman, The
Land of Many Perfumes
Cat vs. Rat
Tom & Jerry: The Movie
Naked Violence
Joyeuses Pacques
Strangeness, The
How I Became a Superhero
Golden Nun
Incident at Phantom Hill
Winterhawk
Resident Evil: Welcome to Raccoon City
Maigret Sets a Trap
B.N.A.
Hell's Wind Staff, The
Topo Gigio and the Missile War
Battant, Le
Penguin Highway
Cazadore de Demonios
Snatchers
Imperial Swordsman
Foxtrap
   
 
Newest Articles
3 From Arrow Player: Sweet Sugar, Girls Nite Out and Manhattan Baby
Little Cat Feat: Stephen King's Cat's Eye on 4K UHD
La Violence: Dobermann at 25
Serious Comedy: The Wrong Arm of the Law on Blu-ray
DC Showcase: Constantine - The House of Mystery and More on Blu-ray
Monster Fun: Three Monster Tales of Sci-Fi Terror on Blu-ray
State of the 70s: Play for Today Volume 3 on Blu-ray
The Movie Damned: Cursed Films II on Shudder
The Dead of Night: In Cold Blood on Blu-ray
Suave and Sophisticated: The Persuaders! Take 50 on Blu-ray
Your Rules are Really Beginning to Annoy Me: Escape from L.A. on 4K UHD
A Woman's Viewfinder: The Camera is Ours on DVD
Chaplin's Silent Pursuit: Modern Times on Blu-ray
The Ecstasy of Cosmic Boredom: Dark Star on Arrow
A Frosty Reception: South and The Great White Silence on Blu-ray
You'll Never Guess Which is Sammo: Skinny Tiger and Fatty Dragon on Blu-ray
Two Christopher Miles Shorts: The Six-Sided Triangle/Rhythm 'n' Greens on Blu-ray
Not So Permissive: The Lovers! on Blu-ray
Uncomfortable Truths: Three Shorts by Andrea Arnold on MUBI
The Call of Nostalgia: Ghostbusters Afterlife on Blu-ray
Moon Night - Space 1999: Super Space Theater on Blu-ray
Super Sammo: Warriors Two and The Prodigal Son on Blu-ray
Sex vs Violence: In the Realm of the Senses on Blu-ray
What's So Funny About Brit Horror? Vampira and Bloodbath at the House of Death on Arrow
Keeping the Beatles Alive: Get Back
   
 
  Principal, The He's the Principal! Sort of!
Year: 1987
Director: Christopher Cain
Stars: James Belushi, Louis Gossett Jr, Rae Dawn Chong, Michael Wright, Kelly Jo Minter, Jacob Vargas, J.J. Cohen, Esai Morales, Troy Winbush, Thomas Ryan, Reggie Johnson
Genre: DramaBuy from Amazon
Rating:  0 Votes
Review: The Principal seemed to kick-start Hollywood into making a few more films of this genre, however, the true genre-defining film in this case must be the 1955 film "Blackboard Jungle" which, at the time, certainly broached the subject which many refused to listen to - namely the disillusioned (mainly black) youth of America and their relationship with their educators. This is a topic relevant in 1955, in 1987 when the Principal was made, and now.

The Principal is a terrible movie. Blackboard Jungle is a great movie. The script and acting, particularly the excellent Sidney Poitier, are streets ahead of what was done here. But it's unfair to compare the acting skills of James Belushi with the likes of Poitier. To be fair to him, Belushi has attempted to make a drama tackling serious issues, and despite some very shaky parts (let's say, 90% of the film) there is the occasional glimmer of hope.

He does makes the occasional Belushi wise-crack, but in almost every case they aren't funny, and none of his little speeches is any good either. There are scenes which seem like they might provide comic relief, but these opportunities are missed repeatedly. This is a film confusingly caught between - at the start - attempting to be the typical Belushi fare whereby he plays a smart-mouthed slob loser, and a more serious piece. It needs a heavyweight (not in the Belushi sense) actor, but for the budget you can see why all they got was a second-rate comic.

The strange thing is, Lou Gosset Jr - who plays the school security chief - would almost certainly have made a better lead. I'm not suggesting that Gossett could out-act a paper bag, but he can at least do a convincing 'angry' (much in demand in this flick) whereas with Belushi you keep expecting him to flash that pock-marked smile of his and suck back on a beer. When he attempts angry, it seems kind of silly. And it's certainly not convincing when the portly, out of shape JB manages to beat up a number of young thugs who seem helpless before his Kirk-esquire moves.

And yet for some reason I sat and watched the whole thing. At times you can see that there was a really 'good day' on set, and they actually go some way to capturing what the Director was attempting, and for a brief moment it's engrossing. Some of the interplay between Belushi and the young and entirely unknown actors and actresses is very convincing and quite sweet.

There are a lot of extras in this film, and in two scenes they use them to good effect by allowing them to improvise bedlam, and then inserting the lead actors into the scene with some vague direction and some lines. It feels natural, and was actually surprisingly good film-making. It was also entirely out of character with so many films of the era where this sort of thing was attempted and choreographed, and looked horribly fake. There are some really nice 'candid' shots of the kids in the school which could have been lifted straight from a documentary. It was moments like these which convinced, and which made me keep watching.

There is also an interesting denouement where Belushi fights the "school bully" for want of a better term, in the oddly maze-like girls shower room, of all places. It's a strange, tense showdown and I think it works surprisingly well. What's also refreshing is that there is no clearly defined ending, happy or otherwise. JB inevitably beats the main bully, but the rest of the pupils remain outside the school fence hanging onto it like animals, their loyalties still uncertain. There's no fanfare, there's no ticker-tape, and it takes one young boy who is actively pursuing an education to deliver the final line in response to the cry "Who the hell do you think you are?" "He's the Principal!" says the young kid. Belushi echoes the sentiment, credits roll, and I wonder how the hell I just sat through two hours of a bad movie and came out the other side wanting to recommend it. Any help would be appreciated.
Reviewer: Ted Forsyth

 

This review has been viewed 5114 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star probably has psychic powers?
Laurence Fishburne
Nicolas Cage
Anya Taylor-Joy
Patrick Stewart
Sissy Spacek
Michelle Yeoh
Aubrey Plaza
Tom Cruise
Beatrice Dalle
Michael Ironside
   
 
   

Recent Visitors
Mary Sibley
Enoch Sneed
Darren Jones
Mark Le Surf-hall
  Louise Hackett
Andrew Pragasam
Graeme Clark
  Desbris M
   

 

Last Updated: