HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
 
Newest Reviews
American Fiction
Poor Things
Thunderclap
Zeiram
Legend of the Bat
Party Line
Night Fright
Pacha, Le
Kimi
Assemble Insert
Venus Tear Diamond, The
Promare
Beauty's Evil Roses, The
Free Guy
Huck and Tom's Mississippi Adventure
Rejuvenator, The
Who Fears the Devil?
Guignolo, Le
Batman, The
Land of Many Perfumes
Cat vs. Rat
Tom & Jerry: The Movie
Naked Violence
Joyeuses Pacques
Strangeness, The
How I Became a Superhero
Golden Nun
Incident at Phantom Hill
Winterhawk
Resident Evil: Welcome to Raccoon City
Maigret Sets a Trap
B.N.A.
Hell's Wind Staff, The
Topo Gigio and the Missile War
Battant, Le
Penguin Highway
Cazadore de Demonios
Snatchers
Imperial Swordsman
Foxtrap
   
 
Newest Articles
3 From Arrow Player: Sweet Sugar, Girls Nite Out and Manhattan Baby
Little Cat Feat: Stephen King's Cat's Eye on 4K UHD
La Violence: Dobermann at 25
Serious Comedy: The Wrong Arm of the Law on Blu-ray
DC Showcase: Constantine - The House of Mystery and More on Blu-ray
Monster Fun: Three Monster Tales of Sci-Fi Terror on Blu-ray
State of the 70s: Play for Today Volume 3 on Blu-ray
The Movie Damned: Cursed Films II on Shudder
The Dead of Night: In Cold Blood on Blu-ray
Suave and Sophisticated: The Persuaders! Take 50 on Blu-ray
Your Rules are Really Beginning to Annoy Me: Escape from L.A. on 4K UHD
A Woman's Viewfinder: The Camera is Ours on DVD
Chaplin's Silent Pursuit: Modern Times on Blu-ray
The Ecstasy of Cosmic Boredom: Dark Star on Arrow
A Frosty Reception: South and The Great White Silence on Blu-ray
You'll Never Guess Which is Sammo: Skinny Tiger and Fatty Dragon on Blu-ray
Two Christopher Miles Shorts: The Six-Sided Triangle/Rhythm 'n' Greens on Blu-ray
Not So Permissive: The Lovers! on Blu-ray
Uncomfortable Truths: Three Shorts by Andrea Arnold on MUBI
The Call of Nostalgia: Ghostbusters Afterlife on Blu-ray
Moon Night - Space 1999: Super Space Theater on Blu-ray
Super Sammo: Warriors Two and The Prodigal Son on Blu-ray
Sex vs Violence: In the Realm of the Senses on Blu-ray
What's So Funny About Brit Horror? Vampira and Bloodbath at the House of Death on Arrow
Keeping the Beatles Alive: Get Back
   
 
  Terror Creatures from Beyond the Grave They're coming to get you Barbara
Year: 1966
Director: Massimo Pupillo
Stars: Barbara Steele, Walter Brandi, Mirella Maravidi, Alfredo Rizzo, Luciano Pigozzi, Tilde Till, Ennio Balbo, Riccardo Garrone
Genre: HorrorBuy from Amazon
Rating:  6 (from 1 vote)
Review: Known in Italian as Cinque tombe per un medium, and by the alternate drive-in title of Cemetery of the Living Dead, this stands along with Giuseppe Vari’s War of the Zombies (1964) as one of the forerunners of the Italian zombie genre. We open as a man fleeing into the night is stomped to death by his own horse, complete with close-ups on his bloody eyeball. The incident is never referred to again since, typically for the period, this scene was shot solely to give American drive-in audiences a reason to stay in their seats.

The actual plot begins with lawyer Albert Kobac (Walter Brandi) summoned to the creepy castle of the late Dr. Jeronimus Hauff. His beautiful daughter Corrine (Mirella Maravidi) maintains her father dabbled in occultism, something strenuously denied by her stepmother Cleo Hauff (Barbara Steele). A string of mysterious deaths occur throughout the local village until Kobac eventually discovers the good doctor is wreaking revenge on his betrayers from beyond the grave.

Although she squeezed in a respectable turn for Federico Fellini in (1963), throughout this busy period in her career Barbara Steele was foremost the queen of Italian gothic horror. After being immortalized in Mario Bava’s Black Sunday (1960), she worked with major players like Riccardo Freda (The Horrible Dr. Hitchcock (1962) and its semi-sequel The Ghost (1963)) and Antonio Margheriti (Castle of Blood (1964) and The Long Hair of Death (1964), as well as genre-hoppers like Mario Caiano (Nightmare Castle (1965)) and here, onetime child actor Massimo Pupillo making his feature debut. Pupillo grants Steele a classic movie star intro when his camera pans across to soak in that famous piercing gaze, but the plot gives her too little to do when compared with Bava and Freda’s efforts.

Pupillo, who made the loopy Bloody Pit of Horror (1965) that same year, was unhappy with the finished film and let producer Ralph Zucker assume directorial credit on English language prints. But the film is far from bad and quite arresting in parts: Dr. Hauff’s voice croaking on a phonograph record; the unsettling image of flowers slowly wilting in glass bowl; and the eerily beautiful children’s lullaby that clues the heroes how to survive the horror (“Remember the water will save you. This warning’s for you!”). Pupillo undercuts the eerie mood with chattering narration from his dopey hero (even after we see Hauff’s empty grave, Kobac is compelled to spell things out: “The grave is empty.” Well, duh!) and seems preoccupied with composing cheesecake shots (Maravidi nude in silhouette behind a screen; Steele reflected naked in a bathroom mirror), but stages a host of striking set-pieces with great gusto.

The most harrowing scene has crippled conspirator Stinel (Ennio Balbo) impale himself on a sword rather than face the vengeful dead. A rotting hand clutches at the corpse before guts spill out from his lifeless body. Steele’s romantic scene is surprisingly sensual interlude wherein the camera segues from the couple’s passionate lovemaking to a mural swirling above their bed. This marks an early cinematography credit for Carlo Di Palma who worked for Michelangelo Antonioni and Woody Allen. His luxuriant, velvety monochrome photography draws a certain dread from the nightmarish forest of gnarled black trees and the cobwebbed crypt where manservant Kurt (Luciano Pigozzi) soliloquises to his dead master. Florid touches like the thunderclap that happens whenever someone mentions Hauff by name (a gag Mel Brooks repeated in Young Frankenstein (1974)) and the admittedly cheesy dubbing stray close to camp, while the revenge angle flounders when innocents like the young maid (Tilde Till) and friendly doctor (Alfredo Rizzo) become targets. But the finale is wonderful: clocks come alive counting down to the hour of vengeance; severed hands start twitching; hearts in jars start beating; zombies crawl out of open graves and claws clutch at our fleeing heroes. End credits claiming this was based on a story by Edgar Allan Poe should be taken with a pinch of salt.

Reviewer: Andrew Pragasam

 

This review has been viewed 5975 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star probably has psychic powers?
Laurence Fishburne
Nicolas Cage
Anya Taylor-Joy
Patrick Stewart
Sissy Spacek
Michelle Yeoh
Aubrey Plaza
Tom Cruise
Beatrice Dalle
Michael Ironside
   
 
   

Recent Visitors
Mary Sibley
Enoch Sneed
Darren Jones
Mark Le Surf-hall
  Louise Hackett
Andrew Pragasam
Graeme Clark
  Desbris M
   

 

Last Updated: