HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
 
Newest Reviews
American Fiction
Poor Things
Thunderclap
Zeiram
Legend of the Bat
Party Line
Night Fright
Pacha, Le
Kimi
Assemble Insert
Venus Tear Diamond, The
Promare
Beauty's Evil Roses, The
Free Guy
Huck and Tom's Mississippi Adventure
Rejuvenator, The
Who Fears the Devil?
Guignolo, Le
Batman, The
Land of Many Perfumes
Cat vs. Rat
Tom & Jerry: The Movie
Naked Violence
Joyeuses Pacques
Strangeness, The
How I Became a Superhero
Golden Nun
Incident at Phantom Hill
Winterhawk
Resident Evil: Welcome to Raccoon City
Maigret Sets a Trap
B.N.A.
Hell's Wind Staff, The
Topo Gigio and the Missile War
Battant, Le
Penguin Highway
Cazadore de Demonios
Snatchers
Imperial Swordsman
Foxtrap
   
 
Newest Articles
3 From Arrow Player: Sweet Sugar, Girls Nite Out and Manhattan Baby
Little Cat Feat: Stephen King's Cat's Eye on 4K UHD
La Violence: Dobermann at 25
Serious Comedy: The Wrong Arm of the Law on Blu-ray
DC Showcase: Constantine - The House of Mystery and More on Blu-ray
Monster Fun: Three Monster Tales of Sci-Fi Terror on Blu-ray
State of the 70s: Play for Today Volume 3 on Blu-ray
The Movie Damned: Cursed Films II on Shudder
The Dead of Night: In Cold Blood on Blu-ray
Suave and Sophisticated: The Persuaders! Take 50 on Blu-ray
Your Rules are Really Beginning to Annoy Me: Escape from L.A. on 4K UHD
A Woman's Viewfinder: The Camera is Ours on DVD
Chaplin's Silent Pursuit: Modern Times on Blu-ray
The Ecstasy of Cosmic Boredom: Dark Star on Arrow
A Frosty Reception: South and The Great White Silence on Blu-ray
You'll Never Guess Which is Sammo: Skinny Tiger and Fatty Dragon on Blu-ray
Two Christopher Miles Shorts: The Six-Sided Triangle/Rhythm 'n' Greens on Blu-ray
Not So Permissive: The Lovers! on Blu-ray
Uncomfortable Truths: Three Shorts by Andrea Arnold on MUBI
The Call of Nostalgia: Ghostbusters Afterlife on Blu-ray
Moon Night - Space 1999: Super Space Theater on Blu-ray
Super Sammo: Warriors Two and The Prodigal Son on Blu-ray
Sex vs Violence: In the Realm of the Senses on Blu-ray
What's So Funny About Brit Horror? Vampira and Bloodbath at the House of Death on Arrow
Keeping the Beatles Alive: Get Back
   
 
  Doomsday Apocalypse-A-Go-Go
Year: 2008
Director: Neil Marshall
Stars: Rhona Mitra, Bob Hoskins, Adrian Lester, Alexander Siddig, Malcolm McDowell, Sean Pertwee, David O'Hara, Chris Robson, Craig Conway, Lee-Anne Liebenberg, MyAnna Buring, Martin Compston, Henie Bosman, Nora-Jane Noone, Nathalie Boltt, Emma Cleasby
Genre: Action, Science Fiction, AdventureBuy from Amazon
Rating:  7 (from 2 votes)
Review: Back in 2008, a calamity occured in Scotland. From out of nowhere, a new strain of deadly virus infected the population and left the country not only decimated but in a state of panic. The authorities did not handle the situation well, and as a result Hadrian's Wall was rebuilt as an impenetrable shield against the Scots and their infection, leaving them to die without any help. Only one of them got away, little Eden Sinclair, who although she lost an eye in her flight, grew up to be one of the best soldiers (Rhona Mitra) the country had. So how would she feel about going back over two decades later?

On its release, writer and director Neil Marshall found the reaction to his action-science fiction epic Doomsday to be far less welcoming than to his last film, The Descent, and the main problem that most of the critics had was over how derivative it was. Apparently those unimpressed chose to ignore the amount of countries outside the U.S.A. whose genre work heavily relied on rip-offs, for want of a better word, of big moneymakers (even inside the U.S.A. for that matter), and it was those Italian versions of Mad Max, Aliens and Escape from New York that this most closely resembled.

With that in mind, those willing to indulge Marshall and his eighties nostalgia - a line from Ghostbusters here, a classic pop song on the soundtrack there - might well find themselves faced with quite some measure of mayhem-based fun. In essence it recaptured the last gasp of the heyday of exploitation movies with some style, and such amusements as knowing the second Sean Pertwee appears on screen that he is doomed only adds to that fun. Marshall also managed to make his film look impressively expensive as well, with a glossy but gritty appearance, even better than many of the movies it emulated.

There is too long spent on the introduction, however, and you may start contemplating why we're hanging around with Prime Minister Alexander Siddig and his yakking cronies when what you are really waiting for is for Sinclair to assemble her team and make like Sigourney Weaver. It is worth laying the groundwork for the plotline about the virus's emergence in England, though, and the fact that the country has been going to the dogs for some years: the film is set in the year 2035. Bob Hoskins seems to be the only truly trustworthy authority figure, a father to Sinclair and perhaps the sole character back in London who wishes to see her survive.

Activity has been spotted North of the Border, and this can only mean one thing, that there are survivors who are immune to the disease, offering a ray of hope. Off Sinclair goes to find the cure, and when she gets to Glasgow she finds most of the locals are dressing in leather and sporting dyed mohawks (it's nice to know that even cannibalistic psychopaths take care to look after their hair). Who she and her troops really need to find is self-appointed nobleman Kane (Malcolm McDowell), but first they must endure capture, torture and a stage show that only needs Jackie Bird presenting it to pass for the yearly Hogmanay broadcast on BBC1 Scotland. Does Sinclair let this hold her back? And more importantly, does Marshall hold back? No to both of those questions, and the film zestfully descends into a welter of action sequences which may be familiar, but are no less diverting for all that. If you got over the seen it all before quality, Doomsday was top entertainment for fans of post-apocalypse cinema. Music by Tyler Bates.
Reviewer: Graeme Clark

 

This review has been viewed 6044 time(s).

As a member you could Rate this film

 

Neil Marshall  (1970 - )

British writer and director. Made his feature debut in 2002 with the popular werewolf chiller Dog Soldiers, while 2005's The Descent was a scary girls-in-caves horror. Moved into television, including episodes of Game of Thrones, before returning to the big screen with the troubled Hellboy reboot and witch hunt horror The Reckoning.

 
Review Comments (1)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star probably has psychic powers?
Laurence Fishburne
Nicolas Cage
Anya Taylor-Joy
Patrick Stewart
Sissy Spacek
Michelle Yeoh
Aubrey Plaza
Tom Cruise
Beatrice Dalle
Michael Ironside
   
 
   

Recent Visitors
Darren Jones
Enoch Sneed
  Louise Hackett
Mark Le Surf-hall
Andrew Pragasam
Mary Sibley
Graeme Clark
  Desbris M
   

 

Last Updated: