HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Lodgers, The
Eagle vs Shark
American Assassin
Die, Mommie, Die!
All the Money in the World
Effect of Gamma Rays on Man-in-the-Moon Marigolds, The
Black Panther
Children's Hour, The
Mayhem
Sphere
Guyver, The
Night School
Loveless
Ragtime
Mishima: A Life in Four Chapters
Murders in the Rue Morgue
Wound, The
Scalawag
Let's Get Harry
Girl with Green Eyes
Sunchaser, The
Tom Jones
Downsizing
Defiant Ones, The
Centerfold Girls, The
Loneliness of the Long Distance Runner, The
120 BPM (Beats Per Minute)
Police Academy 3: Back in Training
Safe Place, A
Saturday Night and Sunday Morning
   
 
Newest Articles
Bad Taste from Outer Space: Galaxy of Terror and Xtro
A Yen for the 1990s: Iron Monkey and Satan Returns
Hey, Punk: Jubilee and Rock 'n' Roll High School
Help! with The Knack: Richard Lester in 1965
Roll Up, Get Yer Free Cinema: The Shorts on the BFI Woodfall Blu-rays
Time for Heroes: The Dam Busters and How I Won the War
Hell is a City: Midnight Cowboy and Taxi Driver
Boris Goes Bonkers, Bela Goes Bats: The Old Dark House and Mark of the Vampire
Charles Bronson's Mid-70s: Breakheart Pass and Others
Kids in America: The Breakfast Club vs Metropolitan
80s Dance-Off: Staying Alive vs Murder-Rock vs Breakin'
The Cinematic Darkside of Donald Crowhurst
Dutch Courage: The Flodder Series
Coming of Age: Boys on Film 18 - Heroes on DVD
Country and Irish - The secret history of Irish pop culture
   
 

Archieved News

  Farewell Russ Meyer [read more]
  Exploitation Movie King dies Aged 82
  Russ Meyer, one of the most notable cult filmmakers of the 60s and 70s has died aged 82. Meyer worked as a newsreel cameraman during World War II, before becoming a photographer. In 1959, his work for Playboy led to his first film – the hugely successful ‘nudie’ feature The Immoral Mr Teas. Other soft-core features followed before Meyer moved to a series of trashy, thrilling B-movies – Mudhoney, Lorna, Motor Psycho and Faster, Pussycat! Kill! Kill! – that combined the two elements – incredibly voluptuous women and graphic violence – that would become Meyer’s trademark.

Cherry, Harry & Raquel! and Vixen were more sexual and cartoonish, developing Meyer’s excellent visual sense and skilful editing techniques. Meyer made two films for 20th Century Fox – the bawdy satire Beyond the Valley of the Dolls (written by critic Roger Ebert) and the semi-serious The Seven Minutes, but their commercial failure led the director to return to his independent roots. Supervixen, Up! and 1979’s Beneath the Valley of the Ultra-Vixens were even more energetic, inventive and sex-filled than their predecessors, the latter proving to be the last film Meyer directed. In latter years he had retired, suffering from dementia, but he will be remembered as a legendary trash auteur and one of a kind.
  Graeme Clark [22 Sep 2004 at 18:34]
     

Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which film has the best theme song?
Spectre
The Ups and Downs of a Handyman
   
 
   

Recent Visitors
Graeme Clark
Enoch Sneed
Paul Smith
  Jamie Nichols
Andrew Pragasam
George White
Darren Jones
  Butch Elliot
   

 

Last Updated: 25 April, 2006