HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Crawl
Transit
Blank Check
Mad Monk, The
Wind, The
Holly and the Ivy, The
Atlantique
Now, Voyager
Wolf's Call, The
Nostalghia
Nightingale, The
Eighth Grade
Irishman, The
Betrayed
Lords of Chaos
Operation Petticoat
Dead Don't Die, The
On the Waterfront
Last Faust, The
Moonlighting
Art of Self-Defense, The
Ironweed
Booksmart
Prisoners
Beach Bum, The
Kill Ben Lyk
Into the Mirror
Support the Girls
Werewolf
Little Monsters
Spider-Man: Far from Home
Horrible Histories: The Movie - Rotten Romans
Pentathlon
Anna
Moulin Rouge
Ray & Liz
African Queen, The
Helen Morgan Story, The
Golem, Der
Yentl
   
 
Newest Articles
Memories Are Made of This: La Jetee and Sans Soleil on Blu-ray
Step Back in Time: The Amazing Mr. Blunden on Blu-ray
Crazy Cats and Kittens: What's New Pussycat on Blu-ray
No Place Like Home Guard: Dad's Army - The Lost Episodes on Blu-ray
A Real-Life Pixie: A Tribute to Michael J. Pollard in Four Roles
We're All In This Together: The Halfway House on Blu-ray
Please Yourselves: Frankie Howerd and The House in Nightmare Park on Blu-ray
Cleesed Off: Clockwise on Blu-ray
Sorry I Missed You: Les Demoiselles de Rochefort on Blu-ray
Silliest of the Silly: Monty Python's Flying Circus Series 1 on Blu-ray
Protest Songs: Hair on Blu-ray
Peak 80s Schwarzenegger: The Running Man and Red Heat
Rock On: That'll Be the Day and Stardust on Blu-ray
Growing Up in Public: 7-63 Up on Blu-ray
Learn Your Craft: Legend of the Witches and Secret Rites on Blu-ray
70s Psycho-Thrillers! And Soon the Darkness and Fright on Blu-ray
Split: Stephen King and George A. Romero's The Dark Half on Blu-ray
Disney Post-Walt: Three Gamechangers
But Doctor, I Am Pagliacci: Tony Hancock's The Rebel and The Punch and Judy Man on Blu-ray
Once Upon a Time in Deadwood: Interview with Director Rene Perez
Shit-Eating Grim: Salo, or the 120 Days of Sodom on Blu-ray
Stallone's 80s Action Alpha and Omega: Nighthawks and Lock Up
Python Prehistory: At Last the 1948 Show and Do Not Adjust Your Set on DVD
You Could Grow to Love This Place: Local Hero on Blu-ray
Anglo-American: Joseph Losey Blu-ray Double Bill - The Criminal and The Go-Between
   
 
  Beat Generation, The Counterculture CrazyBuy this film here.
Year: 1959
Director: Charles F. Haas
Stars: Steve Cochran, Mamie Van Doren, Ray Danton, Fay Spain, Louis Armstrong, Margaret Hayes, Jackie Coogan, James Mitchum, Cathy Crosby, Ray Anthony, Dick Contino, Irish McCalla, Vampira, Billy Daniels, Maxie Rosenbloom, Charles Chaplin Jr, Norman Grabowski
Genre: Drama, Thriller, Trash
Rating:  4 (from 1 vote)
Review: Stan Hess (Ray Danton) is busy reading up on his philosophy, for he likes to pose as a beatnik, one of that underground movement who regard non-conformism as the only real goal in this world of squares. But maybe Stan takes it too far: his girlfriend complains he never so much as holds hands with her as his beliefs appear to wrap him up in a nihilistic, what's the point? state of mind, which is understandable when his father shows up at one of his haunts to announce he is getting married yet again, to someone who could be young enough to be Stan's sister. He rejects his old man outright, and thus fuelled by hatred sets about his real kick: Stan is a serial rapist, he has a formula for his crimes and no one can stop him.

OK, there's one man who can stop him, for this was Ray Danton essaying one of his accustomed dodgy geezers which he was continually cast as until he was bitten by the directing bug and opted to stay largely behind the camera for the rest of his career. He assuredly wasn't playing the hero in this case, for producer Albert Zugsmith, a master of bringing sleaze to the big screen in the nineteen-fifties and sixties, appeared to have a grudge against the very folks his movie was made about. He had reportedly copyrighted the phrase The Beat Generation for use in this very production, which riled Jack Kerouac, the most celebrated of the beat writers, so you can imagine how he felt had he seen what Zugsmith had created.

The beats we see are a bunch of what would now be termed stoners, except we never see them take a puff of anything more than tobacco, though their zombie-like demeanour implies that it's something stronger than coffee they've been partaking of in those bars where Louis Armstrong (!) plays. Also playing is Cathy Crosby, who brings us a rendition of possibly the worst song ever written, but the beatniks are just as happy to listen to albums of car crashes, machinery and tuneless whistling because they have eschewed a going nowhere society (the shadow of the atomic bomb is referenced) to wallow in their own futile self-obsession. Just who did Zugsmith (and co-writer Richard Matheson) think would be going to watch a film with this title, anyway? Police officers?

Like the one played by the ostensible leading man Steve Cochran? He was Sergeant Dave Culloran, who has settled down with his second wife Francee (Fay Spain) and they're trying for a baby. As if Zugsmith thought the whole counterculture business wasn't enough to fill an entire plot, he offered many a lengthy distraction as Culloran is taught a lesson for his supposed woman-hating ways. Certainly he seems insensitive when questioning Stan's victims, just about blaming them for the attacks, although then we're presented with the character of Georgia (the inevitable Mamie Van Doren) who comes across as confirming that mindset since she invites Stan's stooge Art (James Mitchum, son of...) into her apartment and practically throws herself at him to spite her ex-husband.

As if that wasn't enough on one film's plate, Stan uses his ruse to wheedle his way into Culloran's home and rapes Francee, who finds out she's pregnant shortly after but doesn't know who the father is, leading us to a debate on the abortion issue which this being the fifties comes down on the side not of pro-choice but of anti-termination thanks to a brief discussion with an uncredited William Schallert as a priest (Francee isn't even Catholic). All of which is way too weighty to be supported by the silly lampooning that takes up the rest of the movie, especially that final half hour when there's the confrontation between Culloran and his symbolic misogyny Stan, involving the beatniks making up a song about going to the moon while Georgia is nearly raped for real and the cop is tied up and threatened with murder. One of those experiences where you have to occasionally pinch yourself to remind you someone thought it was a good idea, you also get Jackie Coogan in drag, Vampira reciting poetry with a rat, and Cochran subjected to sustained wrestling. Oh, and a human pyramid.
Reviewer: Graeme Clark

 

This review has been viewed 1456 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star do you think makes the best coffee?
Emma Stone
Anna Kendrick
Michelle Rodriguez
Sir Patrick Stewart
   
 
   

Recent Visitors
Graeme Clark
Andrew Pragasam
Enoch Sneed
Darren Jones
Paul Smith
  Rachel Franke
Paul Shrimpton
  Desbris M
   

 

Last Updated: