HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Doraemon: Nobita and the Green Giant Legend
Locke the Superman
Psycho
Magic Flute, The
Top Secret
Ghost Punting
Hitman's Bodyguard, The
Touch, The
Akko's Secret
Backfire
Loving Vincent
Adventures of the Wilderness Family, The
Plot of Fear
Desperate Chase, The
Baskin
Time and Tide
X - Night of Vengeance
Bunny Drop
Acts of Vengeance
Asura: The City of Madness
In This Corner of the World
Dirty Pair: Project Eden
Pyewacket
Disaster Artist, The
God of Cookery, The
Zatoichi and the Chess Player
Ingrid Goes West
Boys from Fengkuei, The
Runestone, The
Catch Me a Spy
   
 
Newest Articles
Wash All This Scum Off the Streets: Vigilante Movies
Force the Issue: Star Wars' Tricky Middle Prequels and Sequels
Rediscovered: The Avengers - Tunnel of Fear on DVD
Sword Play: An Actor's Revenge vs Your Average Zatoichi Movie
Super Sleuths: The Rivals of Sherlock Holmes on DVD
Stop That, It's Silly: The Ends of Monty Python
They're All Messed Up: Night of the Living Dead vs Land of the Dead
The House, Black Magic and an Oily Maniac: 3 from 70s Weird Asia
80s Meet Cute: Something Wild vs Into the Night
Interview with The Unseen Director Gary Sinyor
Wrong Forgotten: Is Troll 2 Still a Thing?
Apocalypse 80s UK: Threads and When the Wind Blows
Movie Flop to Triumphant TV Revival: Twin Peaks and The League of Gentlemen
Driving Force: The Golden Age of American Car Chases
Madness in his Method: Jim Carrey and Andy Kaufman
   
 
  Champ, The Aw, Gee Whizz!Buy this film here.
Year: 1931
Director: King Vidor
Stars: Wallace Beery, Jackie Cooper, Irene Rich, Rosco Ates, Edward Brophy, Hale Hamilton, Jesse Scott, Marcia Mae Jones
Genre: Drama
Rating:  6 (from 1 vote)
Review: Andy Purcell (Wallace Beery) is known to everyone as Champ thanks to his glittering past as a championship boxer, but those days are long behind him. Now he lives in a single room apartment in Tijuana with his young son, Dink (Jackie Cooper), who idolises him but cannot see that his father has become a wreck of a human being, drinking too much and gambling away their meagre funds. Dink wants him to climb back to the top of the boxing profession, and encourages him to train every day and not visit bars, but Champ finds that old habits die hard...

This was a huge hit in its day, winning its star Beery an Oscar (which he shared with Fredric March, a turn of events that has never happened since) and reducing countless audiences labouring under the Depression to tears, it really was one of the prime examples of the so-called weepie. But perhaps the real Oscar winner should have been Cooper, who provided the heart and soul of the piece: whenever his character cried it was the cue for the viewers to do the same. Granted, at this remove you can see how manipulative this was, and the movie was shameless in conspiring to aim for the tearducts, but in the young actor they had a gem of a performance.

Cooper was a natural, but the relationship between him and Beery offscreen was rather less benevolent. Beery was a dreadful man by most accounts, beloved of the public as an unpretentious and loveable lug, but much given to brawling and bullying when the cameras were not rolling - so bad was he that the there was a strong rumour he had murdered Ted Healy, the founder of The Three Stooges, in a drunken fight. On the set of The Champ, he feared, rightly, that he was being upstaged and would pick on Cooper every chance he got, which made the boy's committed acting all the more notable.

With that in mind, it may be harder to enjoy your average Beery picture now than it was back in his heyday, and if he's recalled now it's as part of the jokey set-up in Barton Fink where John Turturro's lead must write a wrestling movie for him to aappear in, but he was a world famous celebrity in his time. You can see why from this, as he portrayed Andy with all his flaws but redeemed by his son's love, but this was mainly so that when he let the child down for the umpteenth time the audience would respond in sympathy and pity, though interestingly as much for the father as for the son. The plot gets sidetracked away from the boxing to a racehorse that Andy buys Dink as a present, though even that is used for sorrow.

The kid can't catch a break, or so it seems, as his horse - who he names Little Champ - falls on its first race, and though it suffers no ill effects, Andy is forced to sell it back soon after thanks to mounting gambling debts. Cue more crying from Dink. Director King Vidor uses a social conscience technique to add a touch of grit to what could have been glutinously sentimental, and though you could argue it was that as well, the scenes that simply observe the players inhabiting their world have a documentary tone. More social issues arise when Dink's wealthy mother (Irene Rich) reappears and wishes to take him away from all this drudgery, but naturally he cannot bear to be parted from his dear old dad, who gets arrested and punches the cell wall, a bit referenced by Martin Scorsese in Raging Bull. On his release, Andy makes up his mind to do right by his son and compete in one final match, but if you're any judge of how this is going you can fully expect tragedy to be just around the corner - though how tragic must be weighed against the behaviour of an unsuitable parent.
Reviewer: Graeme Clark

 

This review has been viewed 1290 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which film has the best theme song?
Spectre
The Ups and Downs of a Handyman
   
 
   

Recent Visitors
Andrew Pragasam
Graeme Clark
Enoch Sneed
  Mark Scampion
  Frank Michaels
  Rachel Franke
  Butch Elliot
Darren Jones
   

 

Last Updated: