HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Lupin the Third vs. Detective Conan: The Movie
Gangsta
3 Nuts in Search of a Bolt
Magic Serpent, The
That's Not Me
There Goes the Bride
Billy the Kid versus Dracula
Liquid Sword
I, Tonya
Universal Soldier: Regeneration
Bad Match
Güeros
Anchor and Hope
One, The
Captain Underpants: The First Epic Movie
Lucky
Still of the Night
Home Sweet Homicide
Mannaja - A Man Called Blade
Spitfire
Killers from Space
Castle of the Creeping Flesh
Ghost Stories
Wild Boys, The
Glamorous Life of Sachiko Hanai, The
Four Rode Out
Lethal Weapon 3
Kit Curran Radio Show, The
D.O.A.
End, The
   
 
Newest Articles
Manor On Movies--Black Shampoo--three three three films in one
Manor On Movies--Invasion USA
Time Trap: Last Year in Marienbad and La Jetée
Gaining Three Stone: Salvador, Natural Born Killers and Savages
Right Said Bernard: Cribbins on DVD
1969: The Year Westerns Couldn't Get Past
A Network Horror Double Bill: Assault and Death Line on Blu-ray
The Edie Levy: Edie Sedgwick, Andy Warhol and Ciao! Manhattan
The Ultimate Trip: The Original Psychedelic Movies
Players of Games: Willy Wonka, Tron and Ready Player One
What Am I Doing Hangin' 'Round? The Ends of The Monkees
Flings and Arrows: Conquest vs Flesh + Blood
Orson Around: F for Fake and The Late Great Planet Earth
ITC What You Did There: Retro-Action on Blu-ray
And It Was the Dirtiest Harry We Have Seen in a Very Long Time: The Dirty Harry Series
   
 
  Jeremiah Johnson Go Tell It On The MountainBuy this film here.
Year: 1972
Director: Sydney Pollack
Stars: Robert Redford, Will Geer, Delle Bolton, Josh Albee, Joaquín Martínez, Allyn Ann McLerie, Stefan Gierasch, Richard Angarola, Paul Benedict, Charles Tyner, Jack Colvin, Matt Clark
Genre: Western
Rating:  7 (from 2 votes)
Review: In the 1850s, Jeremiah Johnson (Robert Redford) headed for Utah to escape the war with Mexico, wanting no part of it and planning to become one of the hardiest of breeds, a mountain man. This turned out to be easier said than done as his attempts to survive the harsh winter in that territory were difficult to say the least, and his tries at fishing, building fires and hunting the wildlife were less than successful. However, the longer he persevered, the further he improved, and the finding of another mountain man frozen to death offered him the chance of owning a powerful rifle...

Based loosely on fact, Jeremiah Johnson was director Sydney Pollack's tribute to the Western, and the kind of loner hero that populated them. It was unusual for being one of the few snowbound Westerns, of which there are not a huge amount, but Pollack's ingenuity paid off with a film that was strikingly shot - the whole look of it is what you're likely to take away, more than the acting or the plot. Of course, that landscape informed the characters and their direction, making clear how one's environment is as much responsible for your personality as the people you have been around.

Especially in Johnson's case, as he spends quite a bit of the film alone, although there always seems to be someone interrupting his solitude, both in a humorous manner, as Will Geer's veteran trapper Bear Claw does, becoming a mentor to the novice, or more seriously, the Indians do, some of whom tolerate him, but then through little fault of his own turn against him in the last half. The earlier parts are perhaps the most quirky, as Pollack and his scriptwriters Edward Anhalt and John Milius, himself no stranger to self-sufficient leading characters in his movies, come up with a host of bizarre occurences for Jeremiah to encounter, offering what could have been bleak a note of idiosyncrasy.

And a welcome note at that, as all this goes towards making memorable imagery, vital when so many Westerns before it had traded on similar looks and devices as their stock. So not only do we get Redford wrenching the rifle out of the hands of the frozen trapper, but also he is chased by a bear set on him by Bear Claw, or in one of the summer sequences meets another hunter, Del Gue (Stefan Gierasch), buried up to his neck in the sand by the Indians who stole his horse. It is this fellow who sets in motion the second part of the story, as he recruits Johnson to take his revenge and they end up winning him a native bride (Delle Bolton) thanks to the reverence shown him for helping out a settler woman sent insane by her family's slaughter by other Indians.

That escapade also gains Jeremiah an adopted son, who he names Caleb (Josh Albee) as the boy never speaks a word so will not name himself, and before long the man who was feeling his way around this whole mountain business has his own family to look after. But the outside world will not leave him be, and a fateful agreement to allow U.S. troops to assist a party stranded in the snow winds up in tragedy as the Crow Indians don't take kindly to the soldiers riding through their sacred burial ground, just as Johnson had warned. From now on he turns into a killing machine, wiping out all who are sent to destroy him, and what has been almost warm and friendly, a handful of starker sequences aside, grows more desolate for we know that Johnson will not be allowed to rest. Redford does very well handling these shifting tones, and sports an impressive beard too, but while everyone involved was patently aiming for greatness, the film doesn't quite make it, being too episodic and needing stronger bearings - but don't let that put you off. Music by Tim McIntire and John Rubinstein.
Reviewer: Graeme Clark

 

This review has been viewed 2347 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Who's the best?
Steven Seagal
Pam Grier
   
 
   

Recent Visitors
Andrew Pragasam
Graeme Clark
Stately Wayne Manor
  Patrick Keenan
Enoch Sneed
Ian Phillips
  Afra Khan
  Dan Malone
   

 

Last Updated: