HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Lupin the Third vs. Detective Conan: The Movie
Gangsta
3 Nuts in Search of a Bolt
Magic Serpent, The
That's Not Me
There Goes the Bride
Billy the Kid versus Dracula
Liquid Sword
I, Tonya
Universal Soldier: Regeneration
Bad Match
Güeros
Anchor and Hope
One, The
Captain Underpants: The First Epic Movie
Lucky
Still of the Night
Home Sweet Homicide
Mannaja - A Man Called Blade
Spitfire
Killers from Space
Castle of the Creeping Flesh
Ghost Stories
Wild Boys, The
Glamorous Life of Sachiko Hanai, The
Four Rode Out
Lethal Weapon 3
Kit Curran Radio Show, The
D.O.A.
End, The
   
 
Newest Articles
Manor On Movies--Black Shampoo--three three three films in one
Manor On Movies--Invasion USA
Time Trap: Last Year in Marienbad and La Jetée
Gaining Three Stone: Salvador, Natural Born Killers and Savages
Right Said Bernard: Cribbins on DVD
1969: The Year Westerns Couldn't Get Past
A Network Horror Double Bill: Assault and Death Line on Blu-ray
The Edie Levy: Edie Sedgwick, Andy Warhol and Ciao! Manhattan
The Ultimate Trip: The Original Psychedelic Movies
Players of Games: Willy Wonka, Tron and Ready Player One
What Am I Doing Hangin' 'Round? The Ends of The Monkees
Flings and Arrows: Conquest vs Flesh + Blood
Orson Around: F for Fake and The Late Great Planet Earth
ITC What You Did There: Retro-Action on Blu-ray
And It Was the Dirtiest Harry We Have Seen in a Very Long Time: The Dirty Harry Series
   
 
  Holcroft Covenant, The Heirs And DisgracesBuy this film here.
Year: 1985
Director: John Frankenheimer
Stars: Michael Caine, Anthony Andrews, Victoria Tennant, Lilli Palmer, Mario Adorf, Michael Lonsdale, Bernard Hepton, Richard Münch, Carl Rigg, André Penvern, Andy Bradford, Shane Rimmer, Alexander Kerst, Michael Wolf, Hugo Bower, Michael Balfour
Genre: Thriller
Rating:  5 (from 1 vote)
Review: Noel Holcroft (Michael Caine) has spent his forty-three years on this planet without knowing something vital about himself. He is well aware that his mother Althene (Lilli Palmer) had married a high-ranking Nazi during the war, and that he was Noel's parent, but the officer had committed suicide in 1945 and as far as Noel was concerned that was all he had to do with his natural father, as soon after his mother had taken him to America and started a new life there. But when he is contacted by Ernst Manfredi (Michael Lonsdale) and invited to go to Switzerland, he cannot imagine what he has to tell him...

Author Robert Ludlum won a renewed charge of popularity when his Bourne novels were adapted for a series of blockbusting action thrillers starring Matt Damon, but that success arrived a little late for The Holcroft Covenant, a largely forgotten effort from the eighties which attempted to condense his plotting into under two hours of suspense. The result, as is so often the case, pleased few, with the Ludlum fans unimpressed and not much in the way of critical or audience acclaim, many complaining that what they had watched made little sense. It's not impenetrable, but in these hands it was hard to believe.

Production hit a snag when original star James Caan deserted them and the distinctly non-American Michael Caine was an eleventh hour replacement: in the Sean Connery manner, he doesn't have a go at the accent, which leaves the frequent references in the dialogue to him being from the United States somewhat baffling to those who are unaware of why he was chosen for the role. Actually, Caine suits this kind of spy thriller, so it wasn't him who was at fault, but the script which too often falls back on having Noel show up at some location and have the plot so far explained to him; by about the fifth time this occurs you start to feel understandably restless, as when the entire story could have been reduced to a series of telephone calls excitement isn't on the cards.

OK, it's not all like that, as every so often there are bursts of action, but they're not enough to generate pulse-pounding tension. The news that Holcroft receives turns out to be that he is due to inherit quite a bit of money thanks to his father's machinations, four-and-a-half billion dollars to be exact, which surprises him to say the least. But it's not a case of signing a piece of paper and having the cash handed over to him - oh, wait, it is a case of signing a piece of paper, it's just that the Nazi had two other officers in on this scheme and their offspring have to sign on the dotted line as well. This would be far less complicated if someone simply told Holcroft the whole story on that first meeting, of course.

But then the film wouldn't have the excuse to jet around Europe as Holcroft visits yet more contacts, and you can kid yourself you're watching an adventure on a James Bond level of international allure. But James Bond never ended up at a Berlin sex parade, one of the more bizarre sequences in the film where Holcroft and one of the other inheritors, Helden (Victoria Tennant) wind up amidst some barely clothed (and some completely starkers) bodies as the bad guys attempt to track them down. That's not all that odd about this, as not only does a lot of it not ring true, after a while you might begin to wonder what the filmmakers were thinking. Director John Frankenheimer had handled some classic thrillers in the past, but there was no sign of that assurance here, what with Bernard Hepton trying to swear without sounding self-conscious and Stanislas Syrewicz's score weirdly lapsing into two tunes playing at once. The Ming the Merciless motive for the bad guys at the end didn't help credibility, either.
Reviewer: Graeme Clark

 

This review has been viewed 2116 time(s).

As a member you could Rate this film

 

John Frankenheimer  (1930 - 2002)

American director, from television, who really shone in the sixties with intelligent suspense movies and dramas like Birdman of Alcatraz, The Manchurian Candidate, The Train, Seven Days in May, Seconds and Grand Prix, but lost his touch from the seventies onward, with titles like The Iceman Cometh, 99 and 44/100% Dead, Black Sunday, Prophecy, The Holcroft Covenant, 52 Pick-Up, Dead Bang and The Island of Dr Moreau standing out, not always for the right reasons. Thriller Ronin was his swan song.

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Who's the best?
Steven Seagal
Pam Grier
   
 
   

Recent Visitors
Andrew Pragasam
Graeme Clark
Stately Wayne Manor
  Patrick Keenan
Enoch Sneed
Ian Phillips
  Afra Khan
  Dan Malone
   

 

Last Updated: