HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Birth of the Dragon
Revenge of the Pink Panther
Thelma
Stratton
February
Taking of Beverly Hills, The
Marjorie Prime
Hotel Salvation
Mangler, The
Shiraz
Mercy, The
Kickboxer: Retaliation
Molly Maguires, The
Party, The
Dante's Peak
Housemaid, The
Vendetta
Brimstone
Boys in the Trees
Once Were Warriors
Red Planet Mars
Blade Runner 2049
Devil's Express
Belko Experiment, The
Flashback
War of the Arrows
One-Trick Pony
Cloverfield Paradox, The
Beach Rats
In Between
   
 
Newest Articles
They're All Messed Up: Night of the Living Dead vs Land of the Dead
The House, Black Magic and an Oily Maniac: 3 from 70s Weird Asia
80s Meet Cute: Something Wild vs Into the Night
Interview with The Unseen Director Gary Sinyor
Wrong Forgotten: Is Troll 2 Still a Thing?
Apocalypse 80s UK: Threads and When the Wind Blows
Movie Flop to Triumphant TV Revival: Twin Peaks and The League of Gentlemen
Driving Force: The Golden Age of American Car Chases
Madness in his Method: Jim Carrey and Andy Kaufman
Music, Love and Flowers: Monterey Pop on Blu-ray
   
 
  Holcroft Covenant, The Heirs And DisgracesBuy this film here.
Year: 1985
Director: John Frankenheimer
Stars: Michael Caine, Anthony Andrews, Victoria Tennant, Lilli Palmer, Mario Adorf, Michael Lonsdale, Bernard Hepton, Richard Münch, Carl Rigg, André Penvern, Andy Bradford, Shane Rimmer, Alexander Kerst, Michael Wolf, Hugo Bower, Michael Balfour
Genre: Thriller
Rating:  5 (from 1 vote)
Review: Noel Holcroft (Michael Caine) has spent his forty-three years on this planet without knowing something vital about himself. He is well aware that his mother Althene (Lilli Palmer) had married a high-ranking Nazi during the war, and that he was Noel's parent, but the officer had committed suicide in 1945 and as far as Noel was concerned that was all he had to do with his natural father, as soon after his mother had taken him to America and started a new life there. But when he is contacted by Ernst Manfredi (Michael Lonsdale) and invited to go to Switzerland, he cannot imagine what he has to tell him...

Author Robert Ludlum won a renewed charge of popularity when his Bourne novels were adapted for a series of blockbusting action thrillers starring Matt Damon, but that success arrived a little late for The Holcroft Covenant, a largely forgotten effort from the eighties which attempted to condense his plotting into under two hours of suspense. The result, as is so often the case, pleased few, with the Ludlum fans unimpressed and not much in the way of critical or audience acclaim, many complaining that what they had watched made little sense. It's not impenetrable, but in these hands it was hard to believe.

Production hit a snag when original star James Caan deserted them and the distinctly non-American Michael Caine was an eleventh hour replacement: in the Sean Connery manner, he doesn't have a go at the accent, which leaves the frequent references in the dialogue to him being from the United States somewhat baffling to those who are unaware of why he was chosen for the role. Actually, Caine suits this kind of spy thriller, so it wasn't him who was at fault, but the script which too often falls back on having Noel show up at some location and have the plot so far explained to him; by about the fifth time this occurs you start to feel understandably restless, as when the entire story could have been reduced to a series of telephone calls excitement isn't on the cards.

OK, it's not all like that, as every so often there are bursts of action, but they're not enough to generate pulse-pounding tension. The news that Holcroft receives turns out to be that he is due to inherit quite a bit of money thanks to his father's machinations, four-and-a-half billion dollars to be exact, which surprises him to say the least. But it's not a case of signing a piece of paper and having the cash handed over to him - oh, wait, it is a case of signing a piece of paper, it's just that the Nazi had two other officers in on this scheme and their offspring have to sign on the dotted line as well. This would be far less complicated if someone simply told Holcroft the whole story on that first meeting, of course.

But then the film wouldn't have the excuse to jet around Europe as Holcroft visits yet more contacts, and you can kid yourself you're watching an adventure on a James Bond level of international allure. But James Bond never ended up at a Berlin sex parade, one of the more bizarre sequences in the film where Holcroft and one of the other inheritors, Helden (Victoria Tennant) wind up amidst some barely clothed (and some completely starkers) bodies as the bad guys attempt to track them down. That's not all that odd about this, as not only does a lot of it not ring true, after a while you might begin to wonder what the filmmakers were thinking. Director John Frankenheimer had handled some classic thrillers in the past, but there was no sign of that assurance here, what with Bernard Hepton trying to swear without sounding self-conscious and Stanislas Syrewicz's score weirdly lapsing into two tunes playing at once. The Ming the Merciless motive for the bad guys at the end didn't help credibility, either.
Reviewer: Graeme Clark

 

This review has been viewed 1866 time(s).

As a member you could Rate this film

 

John Frankenheimer  (1930 - 2002)

American director, from television, who really shone in the sixties with intelligent suspense movies and dramas like The Birdman of Alcatraz, The Manchurian Candidate, The Train, Seven Days in May, Seconds and Grand Prix, but lost his touch from the seventies onward, with titles like The Iceman Cometh, 99 and 44/100% Dead, Black Sunday, Prophecy, The Holcroft Covenant, 52 Pick-Up, Dead Bang and The Island of Dr Moreau standing out, not always for the right reasons. Thriller Ronin was his swan song.

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which film has the best theme song?
Spectre
The Ups and Downs of a Handyman
   
 
   

Recent Visitors
Darren Jones
Enoch Sneed
  The Elix
Graeme Clark
Paul Smith
Jason Cook
  Andrew Irvine
Ian Phillips
   

 

Last Updated: