HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
McQueen
Ugly Duckling, The
Apostle
Distant Voices, Still Lives
Hereditary
Cup Fever
Peril for the Guy
3 Days in Quiberon
Club, The
Best F(r)iends: Volume 1
Pili
Suspect, The
Baxter!
Dead Night
Thoroughbreds
Ghost and the Darkness, The
Strike Commando
Molly
Full Alert
Up the Academy
Darling Lili
Tehran Taboo
Follow That Bird
I, Olga Hepnarová
Finders Keepers
Breadwinner, The
All About Steve
Bad Samaritan
Dangerous When Wet
Us and Them
   
 
Newest Articles
Tee-Hee, It's 80s Sci-Fi Horror: Night of the Comet, The Stuff and Night of the Creeps
Chance of a Ghost: The Uninvited and The Ghost and Mrs. Muir
3 Simian Slashers: Phenomena, Link and Monkey Shines
When is a Jackie Chan Movie Not a Jackie Chan Movie? Armour of God and City Hunter
Anytime Anywhere: The Complete Goodies at the BBC Episode Guide Part 2
Anytime Anywhere: The Complete Goodies at the BBC Episode Guide Part 1
I-Spy Scotland: The Thirty Nine Steps and Eye of the Needle
Manor On Movies--Black Shampoo--three three three films in one
Manor On Movies--Invasion USA
Time Trap: Last Year in Marienbad and La Jetée
Gaining Three Stone: Salvador, Natural Born Killers and Savages
Right Said Bernard: Cribbins on DVD
1969: The Year Westerns Couldn't Get Past
A Network Horror Double Bill: Assault and Death Line on Blu-ray
The Edie Levy: Edie Sedgwick, Andy Warhol and Ciao! Manhattan
   
 
  Escape from L.A. Breaking The RulesBuy this film here.
Year: 1996
Director: John Carpenter
Stars: Kurt Russell, A.J. Langer, Steve Buscemi, Georges Corraface, Stacy Keach, Michelle Forbes, Pam Grier, Jeff Imada, Cliff Robertson, Valeria Golino, Peter Fonda, Ina Romeo, Peter Jason, Jordan Baker, Bruce Campbell, Robert Carradine, Breckin Meyer
Genre: Action, Science Fiction
Rating:  5 (from 2 votes)
Review: The year is 2013, thirteen years after an earthquake which devastated Los Angeles and rendered it an island off the coast of California. Now the President (Cliff Robertson), who has changed the Constitution so that he can be in office for the rest of his life, sends the undesirables of the country to what has effectively become a dumping ground for everyone who does not fit in to his conservative, God-fearing vision of what he and his allies believe the United States should be. However, there's a problem: his daughter Utopia (A.J. Langer) has stolen a device which can set off a powerful satellite weapon and is now the partner of revolutionary Cuervo Jones (Georges Corraface)...

So who do you think the authorities could send in to save the day, or at least the black box that everyone wants? As this is a sequel, however belated, to Escape from New York, you will not be surprised to learn that a certain Snake Plissken (Kurt Russell) is pressed into service, and as with the previous film he does so under duress. In fact, there's a lot here that is very similar to the first instalment, as if the creators - orginal director John Carpenter, producer Debra Hill and star Russell all wrote the script - fashioned it so that the L.A. version could almost be seen as a remake.

In its favour, they do a lot more with their setting than they ever did with the more anonymous New York City from before, with satirical jabs at the obsessions of Los Angeles much in effect, from plastic surgery to drive-by shootings. All of this is amusing enough, but doesn't eradicate the sense of watching something second hand; if you know the first film well then you'll be all too familiar with its twists and turns because they don't appear to have come up with anything new. Snake is apparently Russell's favourite character, and he does have fun, but his grumbling tends to make him less the rebel, more the grumpy old man.

There was a cast of notable cult actors assembled, and part of the entertainment can be wondering which well-kent face will turn up next. Some of them turn up for a couple of minutes at most, with skinhead Robert Carradine barely getting out a few lines before he is shot, and Bruce Campbell in a great role as the head plastic surgeon leading a gang of over-operated-on body part stealers which unfortunately is over with before it has even begun. If the script was willing to throw little gems like that away, then the meat of the plot must be something special, right? Not really, as its only the superficialities that keep this novel.

Snake has been given a slow acting poison which gives him the reason to help the government as if he does not escape with the black box in under eight hours then he will be dead, but as the original film set out the template for eighties action heroes so clearly, we never expect him to be anything more than victorious. What unexpected elements there are, such as the death of a character who looked to be the perfect sidekick, hardly register, and too much of Snake's skill relies on luck: that the surgeon will accidentally cut his bonds, that there's an earth tremor which disrupts Jones' aim as he flees a deadly basketball game. The final scene sees a strike against political correctness which has apparently taken the vitality out of living, yet Snake's solution is too drastic to be taken seriously, and besides the evils of the President here have far more in common with the Ronald Reagan era than the Bill Clinton one. Music by Carpenter and Shirley Walker.
Reviewer: Graeme Clark

 

This review has been viewed 2690 time(s).

As a member you could Rate this film

 

John Carpenter  (1948 - )

Skillful American writer-director of supense movies, often in the science fiction or horror genres. Comedy Dark Star and thriller Assault on Precinct 13 were low budget favourites, but mega-hit Halloween kick-started the slasher boom and Carpenter never looked back.

The Fog, Escape from New York, The Thing, the underrated Christine, Big Trouble in Little China, They Live and Prince of Darkness all gained cult standing, but his movies from the nineties onwards have been disappointing: Escape from L.A., Vampires and Ghosts of Mars all sound better than they really are, although The Ward was a fair attempt at a return, if not widely seen. Has a habit of putting his name in the title. He should direct a western sometime.

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Who's the best?
Steven Seagal
Pam Grier
   
 
   

Recent Visitors
Graeme Clark
Paul Shrimpton
Andrew Pragasam
Stately Wayne Manor
  Patrick Keenan
Enoch Sneed
Ian Phillips
  Afra Khan
   

 

Last Updated: