HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Critters Attack
Prison on Fire
Dragged Across Concrete
Do the Right Thing
Hellboy
Pond Life
Lego Movie 2: The Second Part, The
Third Wife, The
Shazam!
Follow Me
Leto
Fugitive Girls
Missing Link
Chant of Jimmie Blacksmith, The
Pet Sematary
Oh... Rosalinda!!
Dumbo
Kaleidoscope
Night Is Short, Walk On Girl
Knight of Shadows: Between Yin and Yang, The
Puppet Master: The Littlest Reich
Klute
Meow
Killer Crocodile
Nutcracker Prince, The
Secret World of Og, The
Benjamin
Fifth Cord, The
Man Could Get Killed, A
Cyborg 009: Kaiju War
Heavy Trip
Nightmare Weekend
Blue Ice
Great Scout & Cathouse Thursday, The
Incident, The
Hell's Angels
Heaven and Earth
Flatliners
Us
mid90s
   
 
Newest Articles
Trains and Training: The British Transport Films Collection Volume 13 on DVD
Holiday from Hell: In Bruges on Blu-ray
The Comedy Stylings of Kurt Russell: Used Cars and Captain Ron
Robot Rocked: The Avengers Cybernauts Trilogy on Blu-ray
Hammer's Bloodthirsty Bad Girls 1970: Lust for a Vampire and Countess Dracula
Hammer to Fall: Kiss Me Deadly on Blu-ray
Home of the Grave: The House That Dripped Blood and Asylum on Blu-ray
Wondrous Women: Supergirl vs Captain Marvel
Things Have Changed: Films You'd Be Insane to Make Now
The Hole in the Ground: Director Lee Cronin Interview
She's Missing: Director Alexandra McGuinness Interview
Woo's the Boss: Last Hurrah for Chivalry & Hand of Death on Blu-ray
Get Ahead in Showbiz: Expresso Bongo and It's All Happening
Outer Space and Outta Sight: Gonks Go Beat on Blu-ray
Tucked: The Derren Nesbitt Interview
   
 
  Indiana Jones and the Kingdom of the Crystal Skull Whipping BoyBuy this film here.
Year: 2008
Director: Steven Spielberg
Stars: Harrison Ford, Cate Blanchett, Ray Winstone, Karen Allen, Shia LaBeouf, John Hurt, Jim Broadbent, Igor Jijikine, Andrew Divoff, Alan Dale
Genre: Action, Science Fiction, Fantasy, Adventure
Rating:  4 (from 5 votes)
Review: Area 51, 1957. Indiana Jones and sidekick Mac are dragged from the boot of a military vehicle. Kidnapped by Soviet forces Dr Jones is coerced into helping them recover a mysterious mummified object he encountered a decade previously. After a daring escape he finds himself teamed up with rebellious youth Mutt and reunited with an old flame as he embarks on a quest to find the Kingdom of the Crystal Skull.

Rocky Balboa, John McClane, Rambo, classic 80s celluloid icons who've recently returned to the big screen. Now after 19 years the oftmooted fourth entry in the Indiana Jones series arrives, but was it worth the wait? Things begin promisingly with both characters and audience thrown into the adventure and the reintroduction of everyone's favourite archaeologist is well handled. Pensioner Harrison Ford gives a reassuringly appealing performance throwing himself into the role with gusto quickly dispelling any fears his advancing age may have aroused. It's just a shame that he is so ill served by a script that swings between the formulaic and the ridiculous.

Despite Steven Spielberg being in the directors chair, a filmmaker who has provided some of the purest examples of cinematic entertainment, this belated adventure is surprisingly flat with a mechanical narrative that is bereft of any real thrills 'n' spills - apart from an early motorbike chase with Indy moving from bike to automobile and back again before the pursuit continues through the corridors of his college campus. Along for the ride is Shia LaBeouf, complete with rather laughable Brandoesque 50s garb, whose obvious relationship to Indy is probably the film's worst kept secret. Alas the attempt to replicate the father and son dynamic from Last Crusade isn't successfully achieved.

LaBeouf is surrounded by established actors, with Ray Winstone and Jim Broadbent providing acceptable support. John Hurt is on hand to babble incoherently as Professor Oxley, until such time as the script decides he should deliver any required exposition, and just what does that exposition concern? Previous adventures have centred on quests for religious objects, whether it be the Holy Grail or the Sankara Stones they have been satisfyingly epic quests. But George Lucas stretches things here with his story of the search for the titular crystal skull encompassing, as opening scenes in Area 51 would suggest, aliens. Yep, George has decided to thrust Dr Jones into an imitation of cheesy old 50s B movies, along with nutty Erich von Däniken influenced plot developments.

Oh well, at least you can count on some entertaining action? It would appear not as for the most part audiences are force fed a slew of increasingly uninvolving CG assisted set pieces, confirming fan's fears that Lucas would not be able to resist dipping into his digital box of tricks. Events reach their nadir with Mutt sword fighting whilst straddling moving vehicles before swinging through the trees like Tarzan accompanied by a troupe of friendly simians. Not even John Williams' nostalgic score can rescue such shambolic visuals. Although when Karen Allen makes a belated appearance some of the old spark returns, but only serves as a painful reminder of how much this fourth instalment fails to live up to previous adventures. There isn't even a decent adversary for our hero, Soviet villainness Irina Spalko (Cate Blanchett) failing to provide any sense of threat. By the time she meets her inevitable demise, as Dr Jones and co attempt to return the Crystal Skull to its ancient resting place for some reason or other, audiences will probably be past caring. Matters not helped by the rather trite "knowledge is treasure" postscript. Whatever happened to fortune and glory?

After two decades its surprising that something so uninspired and lazy has been delivered to fans. Is this really the best that 20 years of scriptwriting could come up with? A muddled amalgam of frankly stupid ideas and increasingly CG heavy action sequences. If this is indeed the final outing for Indy - although the epilogue indicates otherwise as does George Lucas' propensity for milking his franchises for all their worth - it's a rather ignominious end to the career of one of cinemas most iconic and beloved action heroes.
Reviewer: Jason Cook

 

This review has been viewed 5883 time(s).

As a member you could Rate this film

 

Steven Spielberg  (1946 - )

Currently the most famous film director in the world, Spielberg got his start in TV, and directing Duel got him noticed. After The Sugarland Express, he memorably adapted Peter Benchley's novel Jaws and the blockbusters kept coming: Close Encounters of the Third Kind, Raiders of the Lost Ark and the Indiana Jones sequels, E.T. The Extra-Terrestrial, Jurassic Park, Minority Report, Catch Me If You Can, 2005's mega-budget remake of War of the Worlds, his Tintin adaptation, World War One drama War Horse and pop culture blizzard Ready Player One.

His best films combine thrills with a childlike sense of wonder, but when he turns this to serious films like The Color Purple, Schindler's List, Saving Private Ryan, Munich and Bridge of Spies these efforts are, perhaps, less effective than the out-and-out popcorn movies which suit him best. Of his other films, 1941 was his biggest flop, The Terminal fell between two stools of drama and comedy and one-time Kubrick project A.I. divided audiences; Hook saw him at his most juvenile - the downside of the approach that has served him so well. Also a powerful producer.

 
Review Comments (2)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star do you think makes the best coffee?
Emma Stone
Anna Kendrick
Michelle Rodriguez
Sir Patrick Stewart
   
 
   

Recent Visitors
Graeme Clark
Andrew Pragasam
  Rachel Franke
Paul Shrimpton
  Desbris M
Enoch Sneed
  Derrick Smith
Darren Jones
   

 

Last Updated: