HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Hellboy
Pond Life
Lego Movie 2: The Second Part, The
Third Wife, The
Shazam!
Follow Me
Leto
Fugitive Girls
Missing Link
Chant of Jimmie Blacksmith, The
Pet Sematary
Oh... Rosalinda!!
Dumbo
Kaleidoscope
Night Is Short, Walk On Girl
Knight of Shadows: Between Yin and Yang, The
Puppet Master: The Littlest Reich
Klute
Meow
Killer Crocodile
Nutcracker Prince, The
Secret World of Og, The
Benjamin
Fifth Cord, The
Man Could Get Killed, A
Cyborg 009: Kaiju War
Heavy Trip
Nightmare Weekend
Blue Ice
Great Scout & Cathouse Thursday, The
Incident, The
Hell's Angels
Heaven and Earth
Flatliners
Us
mid90s
Holiday
Lovin' Molly
Manhunt in the City
Click: The Calendar Girl Killer
   
 
Newest Articles
Trains and Training: The British Transport Films Collection Volume 13 on DVD
Holiday from Hell: In Bruges on Blu-ray
The Comedy Stylings of Kurt Russell: Used Cars and Captain Ron
Robot Rocked: The Avengers Cybernauts Trilogy on Blu-ray
Hammer's Bloodthirsty Bad Girls 1970: Lust for a Vampire and Countess Dracula
Hammer to Fall: Kiss Me Deadly on Blu-ray
Home of the Grave: The House That Dripped Blood and Asylum on Blu-ray
Wondrous Women: Supergirl vs Captain Marvel
Things Have Changed: Films You'd Be Insane to Make Now
The Hole in the Ground: Director Lee Cronin Interview
She's Missing: Director Alexandra McGuinness Interview
Woo's the Boss: Last Hurrah for Chivalry & Hand of Death on Blu-ray
Get Ahead in Showbiz: Expresso Bongo and It's All Happening
Outer Space and Outta Sight: Gonks Go Beat on Blu-ray
Tucked: The Derren Nesbitt Interview
   
 
  California Split Let's Give Them A Big HandBuy this film here.
Year: 1974
Director: Robert Altman
Stars: George Segal, Elliott Gould, Ann Prentiss, Gwen Welles, Edward Walsh, Joseph Walsh, Bert Remsen, Barbara London, Barbara Ruick, Jay Fletcher, Jeff Goldblum, Barbara Colby, Vincent Palmieri, Alyce Passman, Joanne Strauss, Jack Riley, John Considine
Genre: Comedy, Drama
Rating:  7 (from 1 vote)
Review: Bill Denny (George Segal) and Charlie Waters (Elliott Gould) are as close to being professional gamblers as they're ever going to get. At public poker games held in a Los Angeles casino, they end up at the same table and all is going quietly until Bill, dealing, throws Charlie a card that almost flies off the table if Bill hadn't caught it in time. However, one of the other players objects strongly and a shouting match erupts with Charlie getting to keep his winnings and the objector carted away by security. Bill and Charlie are going to get along...

Working from a script by Joseph Walsh but appearing to be almost totally improvised, this was director Robert Altman's tribute to gamblers and gambling, turning out what was really a film for insiders rather than casually interested parties who had never so much as dabbled in the pasttime. The whole film has the ring of authenticity when it comes down to the performances and Segal and Gould were rarely better as the shady friends whose easygoing nature - Gould in particular - masks a desperation to win, a need to succeed as far as the next race or poker game.

Whereas most Altman films have a steely core, it's the goodnatured banter and friendship of Bill and Charlie that keep this one bubbling away nicely. Not to say there isn't cynicism here, because there is, but time and time again the two protagonists win on the horses or at a boxing match which makes the story stray into fantasy, wish-fulfilment territory. It's only the fact that they're soon parted from their profits that we can believe these guys as losers, when they are robbed.

If ever there was a film with a jazzy, loose structure it is California Split, and you have to concentrate at first to pick up on the plot in among all the riffing about naming the Seven Dwarfs or whatever. But eventually it emerges, with the always optimistic Charlie coasting through life while a few bumps and bruises don't get him down too much, yet the more serious Bill falling dangerously into debt and needing a big win to help him out. As he grows more gloomy, especially when Charlie disappears without telling him where he's going, the tone becomes darker.

On the other hand, this is a comedy as well, and there are a good few moments of hilarity. Bluffing the cross dresser and being pelted with oranges by an aggrieved woman are two of the funnier moments, but perhaps the best is Charlie's one-armed man playing the piccolo impression, not only because it's very funny but because it comes at a point where Bill needs cheering up and Segal's laughter seems genuine. For the grand finale, the duo head off to Reno so Bill can compete in a high stakes poker game, with Charlie as his lucky mascot - as long as he doesn't hang around during the game, that is. The last scenes where Bill reflects on his winning streak and reaches a conclusion are a little hard to swallow, but it's the two charismatic leads who make this worth watching.
Reviewer: Graeme Clark

 

This review has been viewed 3823 time(s).

As a member you could Rate this film

 

Robert Altman  (1925 - 2006)

Maverick director responsible for some of the most distinctive American films of the last 35 years. After serving in the military during the 1940s, Altman learnt his filmmaking craft by making advertisements and training films before breaking into TV, where he worked throughout the sixties. Altman's breakthrough feature was MASH in 1970, an acerbic Oscar-winning Korean war comedy that introduced his chaotic, overlapping narrative style. Throughout the seventies, Altman turned in a series of acclaimed films including Images, Brewster McCloud, California Split, The Long Goodbye, the western McCabe & Mrs Miller and the brilliant musical drama Nashville. The 1980s proved to be less successful, as Altman struggled in a decade of slick blockbusters to raise funds for his idiosyncratic movies; nevertheless, the likes of Popeye, Fool for Love and Vincent & Theo were all flawed but interesting work.

Altman returned to the A-list of directors with 1992's cameo-laden Hollywood satire The Player, which was followed by the superb ensemble drama Short Cuts, based on the stories of Raymond Carver. Since then until his death Altman turned in almost a film a year, which ranged from the great (Gosford Park, The Company) to the less impressive (Dr T & The Women, The Gingerbread Man), but always intelligent and unusual. At over 80, Altman remained an outspoken anti-Hollywood figure who showed no sign of slowing down right until the end, with his last film A Prairie Home Companion released in 2006.

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star do you think makes the best coffee?
Emma Stone
Anna Kendrick
Michelle Rodriguez
Sir Patrick Stewart
   
 
   

Recent Visitors
Graeme Clark
Andrew Pragasam
  Rachel Franke
Paul Shrimpton
  Desbris M
Enoch Sneed
  Derrick Smith
Darren Jones
   

 

Last Updated: