HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Mangler, The
Shiraz
Mercy, The
Kickboxer: Retaliation
Molly Maguires, The
Party, The
Dante's Peak
Housemaid, The
Vendetta
Brimstone
Boys in the Trees
Once Were Warriors
Red Planet Mars
Blade Runner 2049
Devil's Express
Belko Experiment, The
Flashback
War of the Arrows
One-Trick Pony
Cloverfield Paradox, The
Beach Rats
In Between
Flesh Feast
Gerald's Game
Crocodile Dundee II
Baaghi
Bat People, The
Kingsman: The Golden Circle
Tower
Message from the King
   
 
Newest Articles
They're All Messed Up: Night of the Living Dead vs Land of the Dead
The House, Black Magic and an Oily Maniac: 3 from 70s Weird Asia
80s Meet Cute: Something Wild vs Into the Night
Interview with The Unseen Director Gary Sinyor
Wrong Forgotten: Is Troll 2 Still a Thing?
Apocalypse 80s UK: Threads and When the Wind Blows
Movie Flop to Triumphant TV Revival: Twin Peaks and The League of Gentlemen
Driving Force: The Golden Age of American Car Chases
Madness in his Method: Jim Carrey and Andy Kaufman
Music, Love and Flowers: Monterey Pop on Blu-ray
   
 
  Grindhouse A Rodriguez/Tarantino Double FeatureBuy this film here.
Year: 2007
Director: Robert Rodriguez, Quentin Tarantino
Stars: Rose McGowan, Freddy Rodríguez, Josh Brolin, Marley Shelton, Sydney Tamiia Poitier, Michael Biehn, Kurt Russell, Rosario Dawson, Zoe Bell, Jeff Fahey, Naveen Andrews, Stacy Ferguson, Nicky Katt, Tom Savini, Michael Parks, Jordan Ladd, Tracie Thoms
Genre: Horror, Action, Thriller, Science Fiction, Adventure
Rating:  6 (from 1 vote)
Review: For baseball double headers, double scoop ice creams and double feature films most people feel like they’re getting more for their money. For this Quentin Tarantino and Robert Rodriguez (From Dusk Till Dawn, Four Rooms, Sin City) collaboration, the two filmmakers serve up a double dose of mayhem, blood, breasts, guts and wild fun. These back-to-back 70’s style films (with fake trailers and cheesy restaurant ads) offer sex, fun and chills. But for those who say two heads are better than one, in this case maybe try one and one-half.

Rodriquez’s installment Planet Terror, takes place in a small town where a town has been infected by some mysterious plague. Agent Fox Mulder from X-Files would salivate for this story where a toxin has infected the locals by turning them into zombie like creatures. (And there is that Osama Bin Laden political reference) An emotional go-go dancer Cherry (Rose McGowan) who wants to be a stand-up comedian, and her ex-boyfriend Wray (Freddy Rodríguez) lead the fight against these disfigured humans and the local army. Think Night of the Living Dead except in reverse. How many ways can someone cut, dice, slice, and shoot a zombie?

Rodriguez aims low and scores big with the film’s look (they even manipulated the film to give it a scratchy 70s appearance) and feel. Just enough character development and story exist to make the wild ride fun. Rodriguez tosses in the correct amounts of breasts, women in peril, cheesy love scenes (watch out for those missing film reels) and a thumping music score to make this jaunt worth taking.

What would a cheesy double feature be without those old school trailers and food advertisements? Tarantino and Rodriguez had several directors (Eli Roth, Edgar Wright, Rob Zombie) create lowbrow trailers (like Machete, “He’s one bad ass Mexican”) to sandwich the features. These intentionally cheesy, sometimes outrageously funny fake previews offer up fun as well as several cameos. They keep the flow of the cheesy action fun that Rodriguez built up with Planet Terror. Unfortunately after this point the momentum comes to a screeching halt.


Quentin Tarantino’s Death Proof takes the serial killer genre and pushes it full throttle. Instead of offing victims with a hatchet or machete, here the murderer uses a stuntman racing car. Like so many Tarantino films this one takes time to get its engine revving. The seemingly pointless setup has three friends hanging out at various Austin restaurants and bars hoping to party and meet some fellas. Meanwhile, Stuntman Mike (Kurt Russell) stalks them from afar. While the girls party in one bar, Mike works his creepy charm with another single lovely. Next thing she knows she’s getting a ride home. Or so she thinks. It’s not too long before she’s trapped inside the car with Mr. psycho killer driving way past the speed limit in his 1971/1972 Chevy Nova. Poor girl doesn’t even have a seatbelt, which doesn’t bode well for said young lady when he slams on the brakes. Gruesome.

For his next victims, Mike sets his sight on another group of young ladies, two of whom happen to be stuntwomen on break from a film. It’s not long before Mike is trying his best to run the ladies off the road while they take a stunt filled joyride. Like in most Tarantino’s work, these tough girls don’t take a murder attempt lying down. And bad things eventually happen to Stuntman Mike.

While Tarantino brings high speed thrills and stunts to Death Proof, he fails to offer the fun that Rodriguez as well as the trailer directors generated. For a film that appears caught between Death Race 2000, Duel and Friday the 13th, it’s hardly worth sitting though the pointless bar banter (not to mention Tarantino’s acting). Maybe Quentin would have been better served creating an homage to the oft mentioned film Vanishing Point rather than directing this wreck on wheels.
Reviewer: Keith Rockmael

 

This review has been viewed 4974 time(s).

As a member you could Rate this film

 

Robert Rodriguez  (1968 - )

Hip, hard-working American film maker, a former cartoonist, who directs, produces, writes and edits most of his movies. El Mariachi worked wonders on a tiny budget, and since then he's made Desperado, the only good segment of Four Rooms, gangster/vampire horror From Dusk Till Dawn, teen sci-fi The Faculty, kiddie adventure quartet Spy Kids, Spy Kids 2, Spy Kids 3-D and Spy Kids 4-D, semi-sequel Once Upon a Time in Mexico and Frank Miller adaptation Sin City (which gained a sequel nine years later). He next teamed up with Quentin Tarantino for double feature Grindhouse, and although it flopped it did spur him to beef up the fake trailer Machete, featuring the Danny Trejo character from the Spy Kids movies, a sequel Machete Kills following soon after.

Quentin Tarantino  (1963 - )

American writer/director and one of the most iconic filmmakers of the 1990s. The former video store clerk made his debut in 1992 with the dazzling crime thriller Reservoir Dogs, which mixed razor sharp dialogue, powerhouse acting and brutal violence in controversial style. Sprawling black comedy thriller Pulp Fiction was one of 1994's biggest hits and resurrected John Travolta's career, much as 1997's Elmore Leonard adaptation Jackie Brown did for Pam Grier.

A five year gap preceeded Kill Bill: Volume 1 and Volume 2, a spectacular, ultra-violent martial arts homage. Tarantino also provided screenplays for True Romance, From Dusk Till Dawn and Natural Born Killers (subsequently disowned after Oliver Stone rewrote his script), and directed a quarter of the woeful Four Rooms. More recently, he helped out on Robert Rodriguez's Sin City then teamed up with him for double feature Grindhouse and began to prepare his long-promised World War II movie Inglourious Basterds, which he followed with racially charged Spaghetti Western homages Django Unchained and The Hateful Eight.

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Who's the best?
Robin Askwith
Mark Wahlberg
   
 
   

Recent Visitors
Graeme Clark
Enoch Sneed
Paul Smith
Darren Jones
Jason Cook
  Andrew Irvine
Ian Phillips
Paul Shrimpton
   

 

Last Updated: