HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
February
Taking of Beverly Hills, The
Marjorie Prime
Hotel Salvation
Mangler, The
Shiraz
Mercy, The
Kickboxer: Retaliation
Molly Maguires, The
Party, The
Dante's Peak
Housemaid, The
Vendetta
Brimstone
Boys in the Trees
Once Were Warriors
Red Planet Mars
Blade Runner 2049
Devil's Express
Belko Experiment, The
Flashback
War of the Arrows
One-Trick Pony
Cloverfield Paradox, The
Beach Rats
In Between
Flesh Feast
Gerald's Game
Crocodile Dundee II
Baaghi
   
 
Newest Articles
They're All Messed Up: Night of the Living Dead vs Land of the Dead
The House, Black Magic and an Oily Maniac: 3 from 70s Weird Asia
80s Meet Cute: Something Wild vs Into the Night
Interview with The Unseen Director Gary Sinyor
Wrong Forgotten: Is Troll 2 Still a Thing?
Apocalypse 80s UK: Threads and When the Wind Blows
Movie Flop to Triumphant TV Revival: Twin Peaks and The League of Gentlemen
Driving Force: The Golden Age of American Car Chases
Madness in his Method: Jim Carrey and Andy Kaufman
Music, Love and Flowers: Monterey Pop on Blu-ray
   
 
  Miami Vice Comparing this with the TV series is like comparing The Wright Brothers plane with an F-15Buy this film here.
Year: 2006
Director: Michael Mann
Stars: Colin Farrell, Jamie Foxx, Gong Li, Naomie Harris, Ciarán Hinds, Justin Theroux, Luis Tosar, Barry Shabaka Henley, John Ortiz, Isaach De Bankolé, Eddie Marsan
Genre: Drama, Action
Rating:  6 (from 2 votes)
Review: If you have been fortunate enough to see the recent films of Michael Mann, you will have been treated to some of the finest action movies to come out of Hollywood in years: Heat, Collateral and now Miami Vice. It's tempting to wish he made more films - he directs roughly every couple of years - but then again it's doubtful whether he could maintain his high standards. It's also tempting to say that his films are more than action movies, but really they are not. They are simply the hallmark standard for the genre offering not only incredibly realistic and dramatic action sequences, but a depth of character and plot that is the vital missing ingredient from so many other actions flicks. Why should I care whether the hero lives or dies when all I've seen him do is kill people?

The trademarks of a Mann film are here in spades. He has a real economy with dialogue, and it's taut and sharp throughout. There is little in the way of mindless exposition, and at the start of the film it's quite difficult to follow the developing plot, although it is actually quite simple. Crockett (Colin Farrell) and Tubbs (Jamie Foxx) are undercover cops who are thrust into the middle of a massive drugs empire, where they pose as a transportation operation. Much of the film involves tense meetings with nasty people as we build towards an inevitable, and incredible, showdown.

As much as I enjoyed this film, there are certainly some faults that need to be addressed. Primarily, the middle portion of the film feels a little bit limp at times. It's more or less action free, which is fine if the time is used well, yet somehow we still find out so little about Crockett and Tubbs - as individuals and as partners - that it feels rather a waste. There are plenty of sex scenes for each of the leads, and a particularly lengthy romantic wooing in Cuba with Farrell and Gong Li, but there are literally two scenes in the whole film where Farrell and Foxx have a conversation. Given that we are meant to believe these guys have worked together for years and trust each other completely, it seems strange that at no point do we see them bonding or even just having a cuppa.

No, it's purely business between them, and it's for this reason that the film falls below Heat, which managed to instill every character with a personality and a life of their own. Whereas in Miami Vice we have Crockett and Tubbs accompanied at all times by their support team, who we never get to meet. It's hard to care about characters when all you see them do is stand in the background and only catch their name in passing.

What we end up with is a film that feels like it may have been heavily edited. The opening in particular seems choppy and nonsensical, as some kind of deal occurs in a nightclub and then we are off on the real mission. This would have been a good time to introduce characters and their roles, and perhaps to get to know some of the other officers. Given the whopping forty minute difference in running time between Heat and Miami Vice, it seems clear that Mann was not given the sort of durational freedom he so enjoyed on his other films.

This is a very enjoyable film from a great director. Mann’s films seem to be made with a quasi-robotic attention to detail and shot construction, and some of the camerawork is quite incredible. A beautiful film with exquisitely crafted action sequences and mounting tension, there is also an emotional core that just needed a slight nudge to the surface to make it that much better.
Reviewer: Ted Forsyth

 

This review has been viewed 3775 time(s).

As a member you could Rate this film

 

Michael Mann  (1943 - )

American writer/director whose flashy, dramatic style has made for considerable commerical success on the big and small screen. After writing for television during the late 70s, he made his debut with the thriller Thief. The Keep was a failed horror adaptation, but Mann's TV cop show Miami Vice was a massive international success, while 1986's Manhunter, based on Thomas Harris's Red Dragon, was one of the decade's best thrillers.

Last of the Mohicans was a rip-roaring period adventure, Heat a dynamic if overlong cops 'n' robbers story, and The Insider a gripping real-life conspiracy thriller. 2002's Ali, Mann's much-touted biography of the legendary boxer, was a bit of an anti-climax, but as ever, stylishly rendered. Mann's next film was the thriller Collateral, starring Tom Cruise as a ruthless contract killer, and his big screen updating of Miami Vice divided opinion, as did his vintage gangster recreation Public Enemies. His cyber-thriller Blackhat was a resounding flop.

 
Review Comments (2)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which film has the best theme song?
Spectre
The Ups and Downs of a Handyman
   
 
   

Recent Visitors
Graeme Clark
Darren Jones
Enoch Sneed
Paul Smith
Jason Cook
  Andrew Irvine
Ian Phillips
Paul Shrimpton
   

 

Last Updated: