Newest Reviews
Female Fight Club
Fateful Findings
Transformers: The Last Knight
Foreigner, The
Clones, The
Monster Hunt
Happy End
Ugly American, The
Ritual of Evil
Vigilante Diaries
Happy Death Day
You Can't Stop the Murders
Legend of the Mountain
Man: The Polluter
Wolf Warrior II
Journey to the Seventh Planet
Ghost Story, A
Lady in the Lake
Devil at Your Heels, The
Paddington 2
Two Jakes, The
Re: Born
Dracula Sucks
Perfect Weapon, The
Hollywood Babylon
True Legend
Die Laughing
Newest Articles
Stop That, It's Silly: The Ends of Monty Python
They're All Messed Up: Night of the Living Dead vs Land of the Dead
The House, Black Magic and an Oily Maniac: 3 from 70s Weird Asia
80s Meet Cute: Something Wild vs Into the Night
Interview with The Unseen Director Gary Sinyor
Wrong Forgotten: Is Troll 2 Still a Thing?
Apocalypse 80s UK: Threads and When the Wind Blows
Movie Flop to Triumphant TV Revival: Twin Peaks and The League of Gentlemen
Driving Force: The Golden Age of American Car Chases
Madness in his Method: Jim Carrey and Andy Kaufman
  Evil Swedish schooldaysBuy this film here.
Year: 2003
Director: Mikael Hafstrom
Stars: Andreas Wilson, Henrik Lundstrom, Gustaf Skarsgard, Linda Zilliacus, Jesper Salén, Filip Berg, Fredrik af Trampe, Richard Danielsson, Martin Svane
Genre: Drama, Action
Rating:  8 (from 1 vote)
Review: After getting into one fight too many, Erik Ponti (Andreas Wilson), is expelled from his school and branded evil by his headmaster. Erik’s despairing mother sells some of her possessions to send him to Solbacka Boarding School in a last ditch effort to get him to graduate to the 6th form, making him promise not to get expelled. Strangely enough Erik does not seem upset at this move, seeing at as an opportunity to escape the beatings dished out to him by his stepfather and make a fresh start. On arrival at the school he is impressed by the facilities and the first two people he meets, the prefect Silverheim (Gustaf Skarsgard) and his room-mate Pierre (Henrik Lundstrom) and immediately we can see him thinking he will settle. His illusions are soon shattered when at lunch, one of the junior schoolboys is heard swearing and told to report to the top of the table where a prefect administers a pepperpot – a blow to the top of his head with a heavy knife, the teachers ignoring this. Pierre later explains that this is the way of the school; the 6th form council police the school and are given free rein by the teachers to do so. Erik recognises the injustice of this system and sets out to oppose it, but remembering his promise to his mother, does this peacefully, reluctantly accepting the increasingly harsh punishments imposed on him by the council for refusing to obey them. At the end of the first term Erik triumphs in the school swimming competition, thinking he has bested the council. When he returns to school, however, they have a new tactic and attack his weaker friends, Pierre and the dinnerlady (Linda Zilliacus) with whom he has started an unlikely romance. As his friends are persecuted and driven out of the school, Erik becomes more and more alienated, his other classmates forced to join in on the beatings given to him and his snapping point gets closer. Eventually resorting to violence himself, Erik finally triumphs using a mixture of brain and brawn.

Nominated for best foreign film Oscar and based on a true story this a highly enjoyable film. Erik at the start of the film comes across as an arrogant bully himself and yet when we see him being beaten by his stepfather for no reason, our sympathies are immediately with him, recognising immediately he has moved from one habitat of violence and oppression to another when he thought he had escaped. The hierarchy within the school is a familiar one – the richer and more powerful factions of the school having complete control over the majority and seems a microcosm of society, particularly one just after World War II. Erik’s trials in the face of adversity never seem unbelievable or moralistic and this is part of the film's strength – being based on reality (all the punishments and beatings given to Erik were, it seems, based on actual events), the motivations and reasons behind them are more than adequately explained. The things that let the story down slightly are Erik’s romance and his victory in the swimming meet. The first of these is simply unbelievable (I’d have loved to have had a dinnerlady that looked like Zillacas!), the second just doesn’t seem to ring true and it’s surely no coincidence that these events were purely fictional.

Director Mikael Hafstrom does an admirable job, getting good performances from his stars. Wilson is impressive as Erik, giving him a feel of his hero James Dean. He is broody and aggressive yet there is always something likeable about him and Lundstrom is equally as impressive as his often-comic sidekick Pierre. 1950’s Sweden never looks anything other than authentic, and some of the scenic shots are captivating. The violence in the film is handled with restraint too. Often brutal and bloody, it is always quick and believable, and never the focus of the film. Like Dead Poets Society this is a heartwarming film where you root for the hero, although it does have an edge and is all the better for that.

Aka: Ondskan
Reviewer: Carl Blezard


This review has been viewed 3269 time(s).

As a member you could Rate this film

Review Comments (0)

Untitled 1

Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.

Latest Poll
Which film has the best theme song?
The Ups and Downs of a Handyman

Recent Visitors
Graeme Clark
Andrew Pragasam
Darren Jones
Enoch Sneed
Jason Cook
Paul Shrimpton
  Jony Clark
  The Elix


Last Updated: