HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Favourite, The
Mysteries of the Gods
Coming Home
De Sade
Patti Cake$
Hellbound
Final Destination 2
Romance
Bros: After the Screaming Stops
Cockleshell Heroes, The
Mule, The
Sunday in the Country
Nutcracker Fantasy
Spellcaster
Hipsters
Executive Action
Captain Marvel
Zombie Girl
Can You Ever Forgive Me?
Rhinoceros
Monkey King 3, The
Adventurers, The
Stripped to Kill
Daughter of Dr. Jekyll
Aladdin's Magic Lamp
Christopher Robin
Hole in the Ground, The
Daniel
Blue Christmas
Death Trip
She's Missing
Return of the Soldier
Shaft
Summer Lovers
Robert the Bruce
Bingo Long Traveling All-Stars and Motor Kings, The
Kindergarten Teacher, The
Carne
Penny Slinger: Out of the Shadows
Girls Town
   
 
Newest Articles
The Hole in the Ground: Director Lee Cronin Interview
She's Missing: Director Alexandra McGuinness Interview
Woo's the Boss: Last Hurrah for Chivalry & Hand of Death on Blu-ray
Get Ahead in Showbiz: Expresso Bongo and It's All Happening
Outer Space and Outta Sight: Gonks Go Beat on Blu-ray
Tucked: The Derren Nesbitt Interview
Locomotion Pictures: The Best of British Transport Films on Blu-ray
Roman Scandals: Extreme Visions from Ancient Rome
Spider-Wrong and Spider-Right: The Dragon's Challenge and Into the Spider-Verse
Monster Dog: Cujo on Blu-ray
For Christ's Sake: Jesus Christ Superstar and The Last Temptation of Christ
Not In Front of the Children: Inappropriate Kids Movies
Deeper into Ozploitation: Next of Kin and Fair Game
Between the Wars: Babylon Berlin Series 1&2 on DVD
Hard Luck Story: Detour on Blu-ray
   
 
  Glamorous Life of Sachiko Hanai, The Give George W. Bush the finger and he gives it right backBuy this film here.
Year: 2004
Director: Mitsuru Meike
Stars: Emi Kuroda, Kyoko Hayami, Kikujiro Honda, Yukijiro Hotaru, Yuichi Ishikawa, Takeshi Ito, Yota Kawase, Yoshimi Kinuta, Takashi Kobayashi, Shinji Kubo, Masataka Matsubara, Tetsuaki Matsue, Kanae Mizuhara, Yuji Motoi, Masayoshi Nogami
Genre: Comedy, Sex, Science Fiction, Weirdo
Rating:  5 (from 1 vote)
Review: In Tokyo Sachiko Hanai (Emi Kuroda), a happy-go-lucky sex worker specializing in saucy schoolteacher role-play, wanders into a restaurant just as a North Korean secret agent (Takeshi Ito) guns down a Middle Eastern informant. Shot in the head by a stray bullet, Sachiko miraculously survives. She flees the scene after inadvertently picking up a cylinder containing a mysterious item sought by the North Korean agent. As a result of the bullet lodged in her cerebral cortex, Sachiko becomes a super-genius instantly able to comprehend existential philosophy, particle physics and arcane mathematical equations. She also develops a paranormal ability to glimpse the unseen mysteries of the universe and foretell future events. As a side effect however, Sachiko develops an even more insatiable appetite for sex. After seducing a helpful cop she then makes a move on hapless philosophy professor Toshio Saeki (Yukijiro Hotaro) who proves as besotted with her intellect as her libido. He then moves Sachiko into his home as a live-in tutor for his teenage son Mamoru (Tetsuaki Matsue) despite the suspicions of wife Kayoko (Kyoko Hayami). However, the murderous agent is still on Sachiko's trail and she soon discovers why. For the cylinder happens to contain nothing less than the severed finger of then US President George W. Bush (Shinji Kubo, wearing a paper cut-out George Bush mask!) able to trigger a stolen nuclear device. Not only that but the finger talks to Sachiko, relishes a chance to fondle her private parts and warns her about the impending apocalypse.

This wildly surreal, satirically-minded Japanese soft-core porn (or 'Pink Film') comedy caused a minor stir on the international film festival circuit back in 2004, during the immediate aftermath of the Iraq War. After opening on a typical skin-flick scenario wherein Sachiko's sexy schoolteacher act gets a bleach-blonde client all hot and bothered, The Glamorous Life of Sachiko Hanai rapidly segues from borderline slice-of-life realism down a much stranger path. A gritty verité look employing hand-held cameras (and dodgy sound recording) adds a degree of verisimilitude not inherent in the story which grows increasingly outlandish. The film was produced and scripted by Takao Nakano, a prolific V-cinema (the Japanese term for direct-to-video or on-demand) producer and occasional director. An outspoken fan of Seventies exploitation and 'excessive' cinema, Nakano parlayed his otaku obsessions into a string of low-budget genre films (e.g. Exorcister (1994), Sexual Parasite: Killer Pussy (2004), Big Tits Zombie (2010)) that while undoubtedly an acquired taste are sporadically imaginative.

The Glamorous Life of Sachiko Hanai stands as Nakano's most ambitious production although it remains hard to discern how seriously viewers are meant to take its political satire and numerous philosophical allusions. On the one hand the film intermingles documentary footage of the geo-political fallout from George W. Bush's 'war on terror' with psychedelic animated sequences and references to chaos theory, Jean-Paul Sartre, Descartes, Kant, Milton's Paradise Lost and scholar Noam Chomsky. On the other hand it is very much a porno that segues from one silly sexual encounter to another, reaching an absurdist highlight on a rooftop where the reanimated presidential digit sends a naked, writhing Sachiko into orgasmic ecstasy ("I'm not waiting for permission from the U.N! This is the Bush technique, baby!") It is shot very much with a porn audience in mind with leery angles, instances where breasts and bums bounce into the camera lens and cum shots although as per Japanese censorship laws no frontal nudity. Voluptuous, uninhibited star Emi Kuroda is not an especially charismatic focal point. Likewise the script fails to paint Sachiko as anything more than a quixotic creature we never quite figure out. The closest it gets to profundity is the moment Sachiko directs Mamoru to her vagina which she describes as "the fundamental truth of the universe. Nietzsche, Einstein, the Earl of Sandwich, they all came from here").

Nakano's script attempts to draw a parallel between its own ridiculousness and the absurdity of the Iraq War, but the pseudo-intellectual posturing gets a bit first year film student-y. It is further hobbled by an all too typical Japanese pink film tendency towards cruelty including its inexplicable empathy for a multiple murderer and rapist at the expense of his victims. Lacking genuine intellectual rigour the film's ultimate conclusion that nonsense is the law of the world, change is futile, life meaningless and global annihilation could offer sweet relief is a trite exercise in nihilist chic. Director Mitsuru Meike does not bring much style to a package that barely holds together and, despite an appealing willingness to get crazy, proves something of a chore.

Reviewer: Andrew Pragasam

 

This review has been viewed 366 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star do you think makes the best coffee?
Emma Stone
Anna Kendrick
Michelle Rodriguez
Sir Patrick Stewart
   
 
   

Recent Visitors
Graeme Clark
  Desbris M
Andrew Pragasam
  Rachel Franke
Enoch Sneed
  Derrick Smith
Paul Shrimpton
Darren Jones
   

 

Last Updated: