Newest Reviews
Aurora Encounter, The
Breaking In
Breaking In
Please Stand By
Cockeyed Cowboys of Calico County, The
Deadpool 2
Smart Money
Lupin the Third vs. Detective Conan: The Movie
3 Nuts in Search of a Bolt
Magic Serpent, The
That's Not Me
There Goes the Bride
Billy the Kid versus Dracula
Liquid Sword
I, Tonya
Universal Soldier: Regeneration
Bad Match
Anchor and Hope
One, The
Captain Underpants: The First Epic Movie
Still of the Night
Home Sweet Homicide
Mannaja - A Man Called Blade
Killers from Space
Castle of the Creeping Flesh
Ghost Stories
Newest Articles
I-Spy Scotland: The Thirty Nine Steps and Eye of the Needle
Manor On Movies--Black Shampoo--three three three films in one
Manor On Movies--Invasion USA
Time Trap: Last Year in Marienbad and La Jetée
Gaining Three Stone: Salvador, Natural Born Killers and Savages
Right Said Bernard: Cribbins on DVD
1969: The Year Westerns Couldn't Get Past
A Network Horror Double Bill: Assault and Death Line on Blu-ray
The Edie Levy: Edie Sedgwick, Andy Warhol and Ciao! Manhattan
The Ultimate Trip: The Original Psychedelic Movies
Players of Games: Willy Wonka, Tron and Ready Player One
What Am I Doing Hangin' 'Round? The Ends of The Monkees
Flings and Arrows: Conquest vs Flesh + Blood
Orson Around: F for Fake and The Late Great Planet Earth
ITC What You Did There: Retro-Action on Blu-ray
  Under the Tree One For The Special BranchBuy this film here.
Year: 2017
Director: Hafsteinn Gunnar Sigurðsson
Stars: Steinþór Hróar Steinþórsson, Edda Björgvinsdóttir, Sigurður Sigurjónsson, Þorsteinn Bachmann, Selma Björnsdóttir, Lára Jóhanna Jónsdóttir, Dóra Jóhannsdóttir, Sigrídur Sigurpálsdóttir Scheving
Genre: Comedy, Drama
Rating:  7 (from 1 vote)
Review: In Iceland, one man manages to land himself in a whole lot of marriage-ending trouble when his wife catches him watching pornography on his computer. He is Atli (Steinþór Hróar Steinþórsson), and his wife Agnes (Lára Jóhanna Jónsdóttir) is not so much outraged that it was porn, more that it was porn featuring Atli having sex with his previous girlfriend. She immediately believes the worst, that he filmed himself cheating on her for the gratification of his own lusts, and throws him out of the house they share with their young daughter. He is forced to return to his parents' house for a place to stay, not knowing they have their own problems to deal with: an escalation, in fact.

If this was an example of Icelandic comedy, you would have to put it down to them having a particularly dour sense of humour, for there wasn't much the rest of the world would find sidesplittingly amusing about Under the Tree, or Undir trénu as it was called in its native land. Not to say there were not moments that would raise a bleak chuckle, but for most people watching they would be few and far between, as director Hafsteinn Gunnar Sigurðsson, who effectively co-wrote his screenplay, preferred to put humanity under the microscope and work out where everyone's breaking point was; some characters have already reached it, others will over the course of the story.

Atli's parents are suffering because his mother has snapped mentally on the disappearance of his brother, a probably suicide only no one has found the body, but they can't talk about their anguish because his mother is unable to face up to her grief. So far, so grim Icelandic drama, but then there are the neighbours, who in her madness the mother starts to believe are conspiring against her when the female half of the couple asks if they could do something about the large tree that casts a shadow onto the neighbours' property, not so good if you want to sunbathe in your garden. From that apparently easily solved issue grows an actual feud, though we're unsure how one-sided it is.

The neighbours don't seem to be tremendously bothered by Atli's parents until the mother flings a bag of their pet's dogshit at them, which is the trigger for her to take her grudge to insane levels, including a gag that was barely funny yet certainly viciously memorable. As all this was going on, with the neighbours not seeming to be descending to their aggression, Atli is trying to save his marriage as he increasingly looks like a weasel, making excuses for some pretty base behaviour that in his own mind is perfectly reasonable, lucky not to get the police called on him for threatening behaviour and even violence. By the half hour mark your faith in humanity may have taken a severe knock by the activities playing out before you, as you marvel anyone gets along with anyone else by that point.

Not just in the film, but in real life too. If the twenty-tens was the decade of bullying and intimidation, then Sigurðsson assuredly had his finger on the pulse as you could just about believe this plot could occur, at least until he went extreme, and even then, the news is full of reports of citizens acting with callous disregard for others and exclusive interest in themselves and their status in whatever neck of the woods they hailed from. Yet he was not here to condemn outright, seemingly going for the "there but for the grace of God go I" option when it came to assess his characters, in an almost anthropological manner, and by extension us watching. Perhaps in schoolmarm manner he wanted us to take a long, hard look at ourselves and recognise how ridiculous we were when we pursued any kind of grudge, though not many would go to the lengths these borderline maniacs did, and there was a sense he sympathised with them in a climate that encouraged nobody to take a step back and see how they were setting about problems that had no real justification to pursue. Sobering, no matter how we were intended to react. Music by Daníel Bjarnason.
Reviewer: Graeme Clark


This review has been viewed 110 time(s).

As a member you could Rate this film

Review Comments (0)

Untitled 1

Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.

Latest Poll
Who's the best?
Steven Seagal
Pam Grier

Recent Visitors
Graeme Clark
Andrew Pragasam
Stately Wayne Manor
  Patrick Keenan
Enoch Sneed
Ian Phillips
  Afra Khan
  Dan Malone


Last Updated: