HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Leatherface
Grimsby
Caniba
Bedroom, The
Dark Tower, The
Better Watch Out
Beguiled, The
Year of the Comet
Levelling, The
Dog Days
Annabelle Creation
Once Upon a Time in Shanghai
Sssssss
Woman in Question, The
Atomic Blonde
Doulos, Le
Okja
Bob le Flambeur
Wedding in White
Léon Morin, Priest
Napping Princess, The
Scorpions and Miniskirts
Berlin File, The
Beaches of Agnès, The
Blue Jeans
Garokawa - Restore the World
Valerian and the City of a Thousand Planets
Gleaners & I, The
Peter of Placid Forest
Golden Bird, The
   
 
Newest Articles
Music, Love and Flowers: Monterey Pop on Blu-ray
The Melville Mood: His Final Two Films on The Melville Collection Blu-ray
Always Agnès: 3 from The Varda Collection Blu-ray
Re: Possession of Vehicles - Killer Cars, Trucks and a Vampire Motorcycle
The Whicker Kicker: Whicker's World Vols 5&6 on DVD
The Empress, the Mermaid and the Princess Bride: Three 80s Fantasy Movies
Witching Hour: Hammer House of Horror on Blu-ray
Two Sides of Sellers: The Party vs The Optimists
Norse Code: The Vikings vs The Long Ships
Over the Moon - Space: 1999 The Complete Series on Blu-ray Part 2
   
 
  Nocturnal Animals Brought To BookBuy this film here.
Year: 2016
Director: Tom Ford
Stars: Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson, Isla Fisher, Ellie Bamber, Armie Hammer, Karl Glusman, Robert Aramayo, Laura Linney, Andrea Riseborough, Michael Sheen, India Menuez, Jena Malone, Zawe Ashton, Graham Beckel
Genre: Drama, Thriller
Rating:  6 (from 1 vote)
Review: Susan Morrow (Amy Adams) is an art dealer and gallery owner who has just seen her latest show go down very well with the cognoscenti, but recently she has not been sleeping well, and wonders if this is something to do with her personal life rather than her professional one, which is going swimmingly, after all. She is married to Hutton (Armie Hammer) who provides her with everything she needs, but her previous marriage to Tony Hastings (Jake Gyllenhaal) is lingering on her mind, it did not end well and she feels guilty for breaking it off with him, especially when Tony, a budding writer, was floundering at that point and could have done with a rock in his life to help him pull through. But then she receives a manuscript in the post from him...

They have not spoken in around twenty years, so obviously Susan is intrigued, and does what presumably everyone who knows a writer does when faced with their work, she starts to look for clues in their output that would indicate how they really feel about those they know, or knew in the case of her. The old Fleetwood Mac line "Don't ask me what I think of you, I might not give the answer that you want me to" sprang to mind, in that director Tom Ford, adapting Austin Wright's novel, strongly suggested you're better off not delving too deeply into such efforts, especially when the subject matter could be less than salubrious, which is the problem Susan finds when she reads that manuscript.

Since she cannot sleep, it serves as perfect bedtime reading, although if she could not sleep before there's little chance of her sleeping after a few chapters of Tony's attempt to be Jim Thompson with his crime yarn. We may not see him in Susan's current life, he's still keeping his distance, but Gyllenhaal played in flashbacks to we could perceive where and when things went awry for the couple, and more significantly, we see the actor play the protagonist of the book, called Nocturnal Animals. Whether this was how Ford saw him, or how his ex-wife was seeing him, or how the audience was supposed to envisage the character, or even all three, was murky to an extent, but it was clear we were intended to draw parallels with real life and the page.

The "real life" as depicted in fiction by Ford, that was, and maybe not so much the real life as the audience would experience it: this was meta in some ways, but in others it was a rather airless character study woken up by the thriller elements of the book within the film. One issue with that was Tony was obviously meant to have proved Susan's lack of faith wrong and conjured up a masterpiece, and when something in a movie is presented as such you are more likely to find yourself picking flaws in it as there was a whiff of arrogance on the part of the filmmakers to make that judgement without the audience in necessary agreement. As it plays, Tony's tale starts strongly with a traumatic act, yet peters out before the end, playing the Straw Dogs card of a weak central male finding his mettle and acting violently to do so. It could be you found that satisfying, it could be you preferred to leave all that macho man business back in the nineteen-seventies, but the point was that Tony had found his mettle too.

He was managing to stand up to the woman he loved but had rejected him and apparently taken him two decades to recover from. Adams did not play the wife of the Tony surrogate in his novel, but the deliberately not dissimilar Isla Fisher did, which represented some form of vengeance for the author after what happens to her - or what fate he contrives for her. Fiction writers often have to think up all sorts of terrible things to inflict on their characters to keep the readers turning the pages (or not reaching for the off switch), so if you had ever pondered that these folks were weirdos, and passive aggressive ones at that, for acting out their darkest fantasies in fiction, then Nocturnal Animals would have a plenty to say to you. Obviously writers channel their experiences into their efforts, but if you believed they were not score-settling but servicing their readers with a story to divert them with escapism, or alternatively make them think about a subject in a profound manner, give give give, basically, you would be sceptical at the Tony character's integrity. There are different writers for different stories, naturally, and this one was getting something unlovely out of his system, yet was not brave enough to confront his demons in reality. Leave him to it. Music by Abel Korzeniowski.
Reviewer: Graeme Clark

 

This review has been viewed 330 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Who's the best?
Robin Askwith
Mark Wahlberg
   
 
   

Recent Visitors
Graeme Clark
Darren Jones
Enoch Sneed
Andrew Pragasam
Keith Rockmael
Paul Shrimpton
Ian Phillips
Jensen Breck
   

 

Last Updated: