HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
My Life as a Courgette
Cold-Blooded Beast
Lake Mungo
One-Eyed Jacks
20th Century Women
Monster Trucks
Lookout, The
Black Belt
Resident Evil: The Final Chapter
Their Finest
Stella Cadente
Water Drops on Burning Rocks
Replace
Belladonna of Sadness
Aquarius
Erik the Conqueror
Baghead
Guns at Batasi
Gang Story, A
Magnificent Ambersons, The
Climber, The
It's a Big Country
Raw
Last Man Standing
Transfiguration, The
Alien Nation
Kajaki
Certain Fury
Life
Hundra
   
 
Newest Articles
The Empress, the Mermaid and the Princess Bride: Three 80s Fantasy Movies
Witching Hour: Hammer House of Horror on Blu-ray
Two Sides of Sellers: The Party vs The Optimists
Norse Code: The Vikings vs The Long Ships
Over the Moon - Space: 1999 The Complete Series on Blu-ray Part 2
Alpha Males and Females - Space: 1999 The Complete Series on Blu-ray Part 1
Animated Anxieties: From the Era of the Creepiest Cartoons
Manor On Movies--Clegg (1970)
Plans for Nigel: The Crunch... and Other Stories on DVD
Let's Get Harry: Repo Man and Paris, Texas
   
 
  Peeper Private Eye - Also Ear, Nose And ThroatBuy this film here.
Year: 1976
Director: Peter Hyams
Stars: Michael Caine, Natalie Wood, Kitty Winn, Michael Constantine, Thayer David, Timothy Carey, Liam Dunn, Don Calfa, Margo Winkler, Harvey J. Goldenberg, Dorothy Adams, Buffy Dee, Gary Combs, Robert Ito, Snag Werris, Paul Jabara, Liz Renay
Genre: Comedy, Thriller
Rating:  6 (from 1 vote)
Review: Leslie C. Tucker (Michael Caine) is a British private detective in Los Angeles, he moved there after the Second World War which is some two years past, but mostly his work concerns mundane enquiries, and leaves him with not much money to pay his bills. He was doing his accounts one night when he heard someone running about in the corridor outside his office, and went to investigate, but could not see anyone around at this late hour, and after finishing his cup of tea he returns to continue - but there's someone already there. This is Mr Anglich (Michael Constantine), who is somewhat frazzled: he was the man being chased, and he wants to hire Tucker to find his daughter who he put up for adoption twenty-nine years ago...

Peeper was part of the revival of old Hollywood in the nineteen-seventies, a nostalgic movement born of audiences enjoying vintage movies on television broadcasts and being moved to visit their nearest revival cinemas to watch the classics on the big screen as intended. This spawned a whole generation of film buffs who were interested in seeing what had gone before, and perhaps as a reaction to the rougher movies that had become a hallmark of the decade, going back in time to a surer place of entertainment that seemed to have everything worked out, unlike the modern world that was a lot less certain of where the goodies and baddies, romance and adventure actually were to be found.

An aspect of that nostalgia was the reignited interest in the private eye movie: the fans had seen and loved Humphrey Bogart in The Maltese Falcon and The Big Sleep, and had sought out other similar works from the same era, so studios thought that would be a good place to return to and commissioned a selection of Raymond Chandler knock-offs. At least one of these was an all-time classic, the morally murky and sinister Chinatown, but there were others, a few of them spoofs as Peeper ostensibly was, some broader than their contemporaries. In this case, it adhered closely to the template of the convoluted mystery and soft-pedalled the wisecracks, though they were still present in much of Caine's dialogue.

Now, Michael Caine is an icon of sorts, but he wasn't Bogart, which made him an odd choice for director Peter Hyams to settle on for his leading man, including scraps of dialogue to explain why this fish out of water would choose to leave Britain behind when he didn't come across as especially appreciating his time in the States. For this reason, one presumes, Peeper was a flop as audiences simply could not envisage this indelibly English performer in such an unmistakably American genre; sure, cast Sydney Greenstreet or Peter Lorre as villains, but they made less sense as the heroes, even if that combination of foreigners was indeed tried out in their heyday. But Michael Caine as effectively Philip Marlowe? There were still those smarting that Elliott Gould had given the classic role a go.

Not helping was that once Hyams had completed shooting on Peeper, the studio got a severe case of cold feet, and began to re-edit it over and over, eventually putting it on the shelf for around a year before releasing it in a truncated form that hardly offered its mystery a chance to breathe, never mind be coherent when all was revealed come the finale. And yet, for all its obvious flaws, there was something selected fans have found agreeable about it, possibly its complete faith in itself as a viable genre item, and that while Marlowe was an outsider looking in for much of the time, albeit with a wry take on what he was surveying, casting Caine pretty much gave him the same perspective. The cast was dotted with interesting names: Natalie Wood, for whom this was a failed comeback merely because it was the only film she made for the best part of the seventies, was saucy and alluring as the duplicitous femme fatale, Kitty Winn, who looked set for superstardom until her career oddly faltered, was the little sister, Timothy Carey (who was fired for his usual antics) and Don Calfa made unusual heavies, and trash flick aficionados would get a kick out of Liz Renay in a single scene. It was a jumble in its finished form, but you could perceive the work it could have been half-concealed within, and it wasn't so bad. Music by Richard Clements.
Reviewer: Graeme Clark

 

This review has been viewed 367 time(s).

As a member you could Rate this film

 

Peter Hyams  (1943 - )

American director, writer and cinematographer, mostly of standard genre movies: action, sci-fi, thriller, etc. After a career as a TV newsman (he was a Vietnam War reporter) he moved into films, writing and producing T.R. Baskin. A couple of TV movies later, on the big screen he made Busting, Capricorn One, Hanover Street, Outland, 2010, The Presidio, a remake of Narrow Margin, Stay Tuned, Timecop, Sudden Death, The Relic, End of Days, The Musketeer and A Sound of Thunder.

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Who's the best?
Robin Askwith
Mark Wahlberg
   
 
   

Recent Visitors
Graeme Clark
Ian Phillips
Jensen Breck
Enoch Sneed
Paul Smith
Stately Wayne Manor
Paul Shrimpton
  Vikki Sanderson
   

 

Last Updated: