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Q: What attracted you to the script for All The Boys Love Mandy Lane?
Amber Heard: When I got the script it was like falling in love. It was one of those moments when you read something and yo...
The WILL SMITH (Robert Neville) Q&A
QUESTION: What attracted you to this film?
WILL SMITH: It’s the last thing you expect. I read the script almost ten years ago and I just love how bo...
Hey Everyone,
I write to announce the release on DVD of my new gay-themed, campy slasher "Skull & Bones" (USA , 2007, 73 minutes). The tagline "A Tale of Homo-cidal Mania" sums up my original and ...
Everyone knows professional wrestling is the undisputed King Of Sports. No sissy off seasons, protective gear, time-outs, stoppage over spilt blood, penalties, scholarships, strikes, training camp ho...
Hey, did you see that highly regarded new drama being hailed as "important" and Oscar-worthy," it an allegorical tale based on an actual event? I, neither. Screw that. Not while I can view importan...
When producer Orian Williams originally approached you out of the blue to do a film, you told him you were actually considering a change from photography…
For the last 5 years I was thinking...
Sincerely Yours (1955)
Tony Warrin is a pianist.
And if you flippantly pronounce that minus the final "t," he is liable to sock you in the schnozolla. See, Anthony's a stud with an adoring woma...
Born in 1957, Lee Myung-Se studied film at the Seoul Institute of the Arts. After graduation in 1979, Lee worked on numerous films including OUR JOYFUL YOUNG DAYS (dir/ Changho Bae) as an assistant di...
Why is it that an American film always ends in the same way? The good guy always gets the beautiful girl. The man in the white hat always comes out on top. The underdog team wins the big game. Goo...
First came "The Golden Rules Of Scarepix"; then there was the spin‑off concerning films outside the fright‑flick genre, "Hollywood Has Taught Us..." (both visible in
I had seen the Anna Nicole Smith (ANS) vehicle To The Limit in the mid-Nineties, before the bountiful blonde became a household name, and considered reviewing it a few years ago. But, suddenly, Anna ...
The Spinning Image (TSI): How did you get the idea for 36?Olivier Marchal (OM): I’ve always wanted to pay tribute to Dominique Loiseau by telling his story. Dominique was a cop from ...
The Spinning Image in conversation with Brett Leonard, director of Feed (conducted December 2005).
The Spinning Image (TSI): If we can begin by backtracking a little bit, prior to Feed you direc...
The Spinning Image (TSI): Is this your first film?Scott Ryan (SR): First feature, I've made some shorts and stuff like that.
TSI: How did you fund the film, and how much was it...
The Spinning Image (TSI): Do you ever think you’re supporting the crime rather than it being about the actors?
Gary Dourdain (GD): That’s what you call formula tv. When we first start...
